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Events in Baltimore (March 2nd-March 16th)

by

KEY:
*​ ​18+
** ​21+

March 2

  • “Take Me Out!” 2000’s Indie Dance Party!* at Ottobar
  • Tomason (record release), Sea Lilies (record release), Flying Faders, Yanni II at The Windup Space
  • Pressing Strings, Skribe* at Metro Gallery
  • Lost in Society, Rooney’s Show, The Stifled, Old Bay Thrashers* at The Sidebar
  • American Nightmare, Pissed Jeans, Protester, Cloak/Dagger at Baltimore Soundstage
  • Harry Potter and the Prisoner of Azkaban™ in Concert at Joseph Meyerhoff Symphony Center
  • SOOHAN, Anna Morgan, Christian Dope* at The 8×10
  • Border and Prison Empire with Todd Miller and Nasim Chatha at Red Emma’s Bookstore Coffeehouse
  • Your Solar, In The Presence of Wolves, Heavy Wire, Geph* at Downsquares
  • Outcalls, North by North, Hexgirlfriends at The Bun Shop
  • “Western” directed by Valeska Grisebach (2017) opening at The SNF Parkway
  • “Loveless” directed by Andrey Zvyagintsev (2017) opening at The Charles Theatre
  • “Nostalgia” directed by Mark Pellington (2018) opening at The Charles Theatre
  • “The Party” directed by Sally Potter (2018) opening at The Charles Theatre

March 3

  • Koru Mindfulness Workshop (3pm) at ACE Multipurpose Room, JR 233
  • New Wave Dance Party w/ DJ Billy** at Ottobar
  • Bedlam Brass, The Mondawmen, J Pope and the HearNOW at The Windup Space
  • Midvale (album release), The New Reign, Saturine, Navarium, Spermasaurus Rex at Metro Gallery
  • Madball, Next Step Up, Flatline, Evade* at The Sidebar
  • Kid Rock: American Rock n’ Roll Tour at Royal Farms Arena
  • Jeanne Robertson at The Lyric
  • Harry Potter and the Prisoner of Azkaban™ in Concert at Joseph Meyerhoff Symphony Center
  • Dermot Kennedy at Baltimore Soundstage
  • Endless Hyteria (CD release party), Go On Red, Common Corpse, After the Broken at Fish Head Cantina!
  • 15th Annual MammoJam Music Festival at The 8×10
  • Fox 45 and The CW: B’More Healthy Expo at Baltimore Convention Center
  • Purim in Space!** at The Crown
  • NYC Comedy Invades Baltimore at Joe Squared
  • Baltimore Family Biking Open House at Peabody Heights Brewery
  • Revival Series: “The Earrings of Madame De…” directed by Max Ophüls (1953) at The Charles Theatre
  • Cinema Sundays: TBD (announced the week of) at The Charles Theatre

March 4

  • Bedlam Brass, The Mondawmen, J Pope and the HearNOW at The Windup Space
  • Vista Kicks, Rent Party, Stranger at Metro Gallery
  • Alice Cooper at The Lyric
  • Harry Potter and the Prisoner of Azkaban™ in Concert at Joseph Meyerhoff Symphony Center
  • Aaron Watson, Jack Ingram, Ryan Beaver at Baltimore Soundstage
  • World Sound Series: Meklit at The Motor House
  • The Body Is Not an Apology with Sonya Renee Taylor at Red Emma’s Bookstore Coffeehouse
  • March Drone Brunch ft. Forrest Marquisse & his Ocatones, La Llorona, Will Ryerson, Dan Zink at Holy Underground
  • Sunday Night Video game Throwdown ft. GoldenEye 64! at Holy Frijoles
  • “Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles” directed by Chantal Akerman (1973) opening at The SNF Parkway
  • Revival Series: “Singin’ in the Rain” directed by Stanley Donen, Gene Kelly (1952) at The Senator Theater

March 5

  • Hippie Sabotage, Melvv, Olivia Noelle at Rams Head Live!
  • Brett Dennen, Dean Lewis at Baltimore Soundstage
  • Revival Series: “The Earrings of Madame De…” directed by Max Ophüls (1953) at The Charles Theatre
  • Revival Series: “Singin’ in the Rain” directed by Stanley Donen, Gene Kelly (1952) at The Senator Theater

March 6

  • Arts on Stage: The Peking Chinese Acrobats (10:15am, 12pm) at Kraushaar Auditorium
  • Dell Upton – What Can and Can’t be Said: Commemorating African-American History in the Shadow of the Confederacy (7:30pm) at Kelly Lecture Hall
  • Standup Comedy at The Windup Space: Benefit for Homeless in Baltimore at The Windup Space
  • Sweet Ascent* at The Sidebar
  • Eric Johnson (with original band members Tommy Taylor & Kyle Brock, guest Arielle) at Rams Head Live!
  • Transgender History with Susan Stryker at Red Emma’s Bookstore Coffeehouse
  • “Until the Birds Return” directed by Karim Moussaoui (2017) One night only! at The SNF Parkway
  • Revival Series: “Singin’ in the Rain” directed by Stanley Donen, Gene Kelly (1952) at The Senator Theater

March 7

  • Arts on Stage: The Peking Chinese Acrobats (10:15am, 12pm) at Kraushaar Auditorium
  • Drink and Draw!** at The Windup Space
  • The Zephyr Bones, The Dune Flowers, hellp* at Metro Gallery
  • TRON-PING: Black Light Table Tennis at The Windup Space
  • JJ Grey & Mofro, Hollis Brown at Rams Head Live!
  • People’s Blues of Richmond, March Residency, Disco Risque, Medusa’s Disco* at The 8×10
  • “Everything Is Terrible!’s The Great Satan” LIVE SHOW! One night only! at The SNF Parkway
  • Revival Series: “Dune” directed by David Lynch (1984) at The Senator Theater

March 8

  • Music Program Student Showcase (8pm) at Haebler Memorial Chapel
  • “Queer Qrush” All-Inclusive dance party w/ DJ Pancakes at Ottobar**
  • Epic Beard Men (Sage Francis & B. Dolan), Height Keech, Seez Mics* at Metro Gallery
  • Lost Stars, FIVES, Saving Apollo, Cecilia Grace* at The Sidebar
  • From Vienna to Broadway at Joseph Meyerhoff Symphony Center
  • Raw Baltimore presents: “Envision” at Baltimore Soundstage
  • Toubab Krewe, Suga Grits* at The 8×10
  • USA Fencing 2018 March North America at Baltimore Convention Center
  • The Slim Jimmies, Pinkwench, Your Ex’s Pets at New America
  • Revival Series: “The Earrings of Madame De…” directed by Max Ophüls (1953) at The Charles Theatre

March 9

  • Arts on Stage: Harriet Tubman & the Underground Railroad (10:15am, 12pm) at Kraushaar Auditorium
  • Le Malade Imaginaire  (7:30pm) at Mildred Dunnock Theatre
  • Emo Night Baltimore* at Ottobar
  • Super City, :3Lon, Raw Silk* at Metro Gallery
  • The Dissociated* at The Sidebar
  • From Vienna to Broadway at Joseph Meyerhoff Symphony Center
  • Deer Tick, Solomon Georgio at Baltimore Soundstage
  • Crazy Town, Davey Suicide, Dead Atlantic, 13 Prisons, Ethics** at Fish Head Cantina!
  • TRUTH, DMVU, Distinct Motive, Seromatic* at The 8×10
  • Revolution Talent at Baltimore Convention Center
  • USA Fencing 2018 March North America at Baltimore Convention Center
  • The Ward, Silver Gulls, Pale Stag, Vickers* at Joe Squared
  • End It, Hangman, Paper Trail* at Asian Taste
  • Witches, Wine, & Tattoos at Ripp’d Canvas Tattoo
  • “The Young Karl Marx” directed by Raoul Peck (2017) opening at The SNF Parkway
  • “Werewolf” directed by Ashley McKenzie (2017) opening at The SNF Parkway
  • “Submission” directed by Richard Levine (2018) opening at The Charles Theatre
  • “The Leisure Seeker” directed by Paolo Virzì (2018) opening at The Charles Theatre
  • “Thoroughbreds” directed by Cory Finley (2018) opening at The Charles Theatre

March 10

  • Le Malade Imaginaire  (7:30pm) at Mildred Dunnock Theatre
  • The BPM Experience: The Baltimore Experience at The Windup Space
  • Fade To Black (Metallica Tribute), Bastards of Reality* at Metro Gallery
  • From Vienna to Broadway at Joseph Meyerhoff Symphony Center
  • St. Patrick’s Celebration at Joseph Meyerhoff Symphony Center
  • Family Luncheon: St. Patrick’s Celebration at Joseph Meyerhoff Symphony Center
  • Senses fail, Reggie and The Full Effect, Have Mercy, Household at Baltimore Soundstage
  • Dethstrike (Megadeth tribute), Impact, Season of Fear, Start the Scene, Dark Entity** at Fish Head Cantina!
  • Charm City Bluegrass Festival: Battle of the Bands FINALS* at The 8×10
  • Revolution Talent at Baltimore Convention Center
  • USA Fencing 2018 March North America at Baltimore Convention Center
  • Bollymore* ft. DJ NativeSUN, Hoeteps, Nikilad and Bharatanatyam Dance Performances by Sylvia Vadakara at The Motor House
  • Graffiti Warehouse Broadway Meet n’ Greet Party!
  • Awesome – Art Addiction at The Impact Hub
  • Revival Series: “Good Morning/Ohayo” directed by at Yasujiro Ozu (1969) at The Charles Theatre
  • Cinema Sundays: TBD (announced the week of) at The Charles Theatre
  • MET Opera: Semiramide opening at The Charles Theatre

March 11

  • Patricia Racette at The Lyric
  • From Vienna to Broadway at Joseph Meyerhoff Symphony Center
  • PNB Rock, Lil Baby at Baltimore Soundstage
  • The Music Workshop at The 8×10
  • Revolution Talent at Baltimore Convention Center
  • USA Fencing 2018 March North America at Baltimore Convention Center
  • BPS Presents: “Thank God It’s Friday” at Homewood Friends Meeting, Baltimore
  • Revival Series: “Dune” directed by David Lynch (1984) at The Senator Theater

March 12

  • Aseethe, Vile Creature, Curse, No/Mas at Ottobar
  • Dr. Sketchy’s Anti-Art School: Baltimore at The Windup Space
  • Music Adventures with Michael Ferraguto at Joseph Meyerhoff Symphony Center
  • Dark Funeral & Septicflesh, Thy Antichrist at Baltimore Soundstage
  • USA Fencing 2018 March North America at Baltimore Convention Center
  • Revival Series: “Good Morning/Ohayo” directed by at Yasujiro Ozu (1969) at The Charles Theatre
  • Revival Series: “Dune” directed by David Lynch (1984) at The Senator Theater

March 13

  • Arts on Stage: The Wizard of Oz (10:15am, 12pm) at Kraushaar Auditorium
  • Division of Student Affairs Spring Diversity Speaker: Laverne Cox at Towson University – SECU Arena
  • Bachelor Boys Showcase at The Windup Space
  • Raising Cadence* at The Sidebar
  • Nightwish at The Lyric
  • Dumpstaphunk* at The 8×10
  • The Legend of the Black Mecca with Dr. Maurice Hobson at Red Emma’s Bookstore Coffeehouse
  • Revival Series: “Dune” directed by David Lynch (1984) at The Senator Theater

March 14

  • TRON-PING: Black Light Table Tennis at The Windup Space
  • Movie Night! ft. Hackers + Post-movie DJ set at The Sidebar
  • People’s Blues of Richmond, March Residency, Tweed, Hustle Souls* at The 8×10
  • “Breakfast at Tiffany’s” directed by Blake Edwards (1961) at The Senator Theater

March 15

  • Arts on Stage: Dr. Seuss’ The Cat in the Hat (10:15am, 12pm) at Kraushaar Auditorium
  • Clayton Fletcher at Joe Squared
  • Us and Us Only, Nina Gala, Mess at Ottobar
  • Heresy – Goth/Industrial Night** at Ottobar
  • Iron Chic, At Face Value, American Television, Cowabunga Pizza Time* at Metro Gallery
  • Schubert The Great at Joseph Meyerhoff Symphony Center
  • Dokkem, Korupt, Reckoning Crew, The Methmatics** at Fish Head Cantina!
  • Third Thursday Bluegrass: The Plate Scrapers, Strong Water, West King String Band* at The 8×10
  • Keith Harkin at Tin Roof
  • Revival Series: “Being John Malkovich” directed by Spike Jonze (1999) at The Charles Theatre

March 16

  • 4 Hours of Funk** at The Windup Space
  • The Blow, Joint Combo* at Metro Gallery
  • Fourth Dominion, Ancalagon, Genevieve, Mother Moon* at The Sidebar
  • Blake Shelton: Country Music Freaks Tour at Royal Farms Arena
  • Schubert The Great at Joseph Meyerhoff Symphony Center
  • The Noise presents “Pop Evil: Music Over Words” Tour: Black Map, Palaye Royale at Baltimore Soundstage
  • Dying Breed, Voodoo, Fast As Lightning, Adjust the Sails** at Fish Head Cantina!
  • Christian Lopez & Plevyak, Conor Brendan and The Wild Hunt, Splendor Tree* at The 8×10
  • Coffee Fest at Baltimore Convention Center
  • Thee Lexington Arrows, The Combs, The Forwards, The Creachies at Joe Squared
  • June Pastel, B.R.A.T at New America
  • “Kill Me Please” directed by Anita Rocha da Silveira (2015) opening at The SNF Parkway

Poetry in Baltimore, Spring 2018

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Poetry Events in Baltimore This Semester

*for bios, below
3/4 Artivism Day
5pm, Impact Hub
3/8 ART Rising open mic, with featured performer TBA (Brought by Slammageddon Baltimore)
7:30pm, GLCCB, $5
3/29 Jenny Johnson* and francine j. Harris*
7pm, Batza Room in the Athenaeum, Goucher College
4/4 ART Rising open mic, with featured performer TBA (Brought by Slammageddon Baltimore)
7:30pm, GLCCB, $5
4/10 Terrance Hayes*
6pm, Mudd 26, Johns Hopkins University
4/11 Rigoberto Gonzales
5pm, Skylight Room in the Commons, UMBC
4/12 ART Rising open mic, with featured performer TBA (Brought by Slammageddon Baltimore)
7:30pm, GLCCB, $5
4/12 Black Ladies Brunch Collective*
7pm, Batza Room in the Athenaeum, Goucher College
4/19-21 DewMore Baltimore Youth Poetry Festival
4/21 Rudy Francisco,* featured performance
5/10 ART Rising open mic, with featured performer TBA (Brought by Slammageddon Baltimore)
7:30pm, GLCCB, $5

Chris August is a teacher and writer based out of Baltimore. He travels the world performing his work and has authored the collection Loving Instruments (Sargent Press, 2013). His poetry has been featured in Hyperlexia and the anthology From Page to Stage and Back Again. For over ten years, Chris August worked as a special educator in and around Baltimore city. During this time, he spent all of his free moments writing poetry and traveling the country to perform it. Over that time, he became involved in the national slam poetry community, which challenges writers to take their poetic works to the stage, competing with performance-ready versions of their best work. He has represented Baltimore, Washington, DC and Philadelphia at the National Poetry Slam and the Individual World Poetry slam, which he was lucky enough to win in 2011, after which he represented the United States at the Poetry World Cup in Paris, France.

Airea D. Matthews​’s first collection of poems, Simulacra, recipient of the 2016 Yale Series of Younger Poets Award, has received praise from outlets including The New Yorker and The Washington Post. Her work has appeared in The Rumpus, Best American Poets 2015, American Poet, and elsewhere. She received the 2016 Rona Jaffe Foundation Writers’ Award and was awarded the Louis Untermeyer Scholarship in 2016 from Bread Loaf Writers’ Conference. Ms. Matthews is working on her second poetry collection, under/class, which explores poverty. She is an assistant professor at Bryn Mawr College.

Somali-born poet and essayist Ladan Osman​ is the author of The Kitchen-Dweller’s Testimony, winner of
the Sillerman First Book Prize, and the chapbook Ordinary Heaven. Her next collection Exiles of Eden, a
work of poetry, photos, and experimental text, is forthcoming in 2019. Osman’s writing is a lyric and
exegetic response to problems of race, gender, displacement, and colonialism. Throughout her writing,
Osman is concerned with the question of testimony. Whose testimony is valid? Whose testimony is worth recording? Osman has received fellowships from the Fine Arts Work Center, Cave Canem, and Luminarts Foundation, Michener Center for Writers Fellowship, among numerous other nominations. Osman’s writing and photographs have appeared in Columbia Poetry Review, Prairie Schooner, Roar, Rumpus, Transition, and Washington Square Review. She is a contributing culture editor for The Blueshift Journal. Osman currently lives in Brooklyn.

Jenny Johnson​ is the author of In Full Velvet, published by Sarabande Books in 2017. Her honors include a 2015 Whiting Award and a 2016-17 Hodder Fellowship at Princeton University. She has also received awards and scholarships from the Blue Mountain Center, Bread Loaf Writer’s Conference, Virginia
Center for the Creative Arts, and Yaddo. Her poems have appeared in The New York Times, New England
Review, Troubling the Line: Trans and Genderqueer Poetry and Poetics, and elsewhere. After earning a
BA/MT in English Education from the University of Virginia, she taught public school for several years in
San Francisco, and she spent ten summers on the staff of the UVA Young Writer’s Workshop. She earned
an MFA in Poetry from Warren Wilson College. She is a Contributing Editor at Waxwing Literary Journal. She teaches at the University of Pittsburgh and at the Rainier Writing Workshop, Pacific Lutheran University’s low-residency MFA program.

francine j. harris​ is originally from Detroit, Michigan, where she grew up in one of many neighborhoods
operating in economic limbo in the aftermath of the motor industry collapse. After high school, harris moved to Arizona and attended several community colleges part-time before earning scholarship to attend Arizona State University, where she earned a BA in English. harris spent the next several years working with grassroots organizing projects for community radio, social justice, and queer performing arts, while facilitating poetry workshops for young people and practicing visual art. harris moved back to Detroit in 2002. In 2011, she earned an MFA in Poetry from University of Michigan, where she was awarded a Zell Fellowship. harris is the author of allegiance (2012), a finalist for both the Kate Tufts Discovery Award and the PEN Open Book Award; and play dead (2016). Her poetry has appeared in many journals, including McSweeney’s, Ploughshares, Poetry, Meridian, Indiana Review, Callaloo, and Boston Review. A 2008 Cave Canem fellow, she has also won the 2014 Boston Review Annual Poetry Contest and was awarded a 2015 NEA fellowship. harris has taught creative writing at University of Michigan and Centre College in Danville, Kentucky, and she is currently writer in residence at Washington University in St. Louis.

Terrance Hayes​ is the author of Lighthead (Penguin 2010), winner of the 2010 National Book Award and finalist for the National Book Critics Circle Award. His other books are Wind In a Box (Penguin 2006), Hip Logic (Penguin 2002), and Muscular Music (Tia Chucha Press, 1999). His honors include a Whiting Writers Award, a National Endowment for the Arts Fellowship, a United States Artists Zell Fellowship, a Guggenheim Fellowship, and a MacArthur Fellowship. How To Be Drawn (Penguin 2015), his most recent collection of poems, was a finalist for the 2015 National Book Award, the 2016 National Book Critics Circle Award, and received the 2016 NAACP Image Award for Poetry. He is the current poetry editor at New York Times Magazine and has two forthcoming manuscripts: American Sonnets for My Past And Future Assassin (Penguin, 2018), and To Float In The Space Between: Drawings and Essays in Conversation with Etheridge Knight (Wave, 2018).

Rigoberto González​ is the author of 17 books of poetry and prose, most recently Unpeopled Eden, winner of the Lambda Literary Award and the Lenore Marshall Prize from the Academy of American Poets. Recipient of the Guggenheim, NEA, NYFA, and USA Rolón fellowships, he is currently professor of creative writing at the MFA program at Rutgers-Newark and on the board of trustees of the Association of Writers and Writing Programs (AWP). His book of criticism Pivotal Voices, Era of Transition: Toward a 21st Century Poetics is forthcoming from the University of Michigan Press Poets on Poetry Series.

Black Ladies Brunch Collective​:
Katy Richey​’s work has appeared in Rattle, Cincinnati Review, RHINO, The Offing and other journals. She
received an honorable mention for the Cave Canem Poetry Prize and was a finalist for Tupelo Press Snowbound Chapbook Poetry Award. She is a Cave Canem fellow and hosts the Sunday Kind of Love reading series open mic at Busboys and Poets in Washington D.C. Tafisha A. Edwards​ ​is the author of THE BLOODLET, winner of Phantom Books’ 2016 Breitling Chapbook Prize. Her work has appeared in The Offing, PHANTOM, Bodega Magazine, The Atlas Review, The Little Patuxent Review, and other print and online publications. She is a Cave Canem Graduate fellow and a graduate of UMD College Park’s Journalism school. Saida Agostini​ ​is a Cave Canem fellow, and lover of Prince. A queer Afro-Guyanese poet and social worker, Saida’s work has been featured in several publications. Anya Creightney​, a Cave Canem fellow, is originally from Albuquerque, New Mexico with roots in Kingston and Copenhagen. A poet, editor and coordinator, she is a Programs Specialist at the Poetry & Literature Center in the Library of Congress. Teri Ellen Cross Davis​ is a Cave Canem fellow and has received scholarships to attend the Virginia Center for Creative Arts and the Fine Arts Work Center in Provincetown. Her first collection HAINT was published in June, 2016 by Gival Press. Poet and journalist celeste doaks​ i​s the author of Cornrows and Cornfields,  (Wrecking Ball Press, UK) March 2015. Cornrows was listed as one of the Ten Best Books of 2015 by Beltway Quarterly Poetry. Her journalism has appeared in the Huffington Post, Village Voice, Time Out New York. Currently, she is the Visiting Assistant Professor of Creative Writing at University of Delaware.

Rudy Francisco’s​ spoken word art is an amalgamation of social critique, introspection, honesty and humor, using personal narratives to discuss the politics of race, class, gender and religion while simultaneously pinpointing and reinforcing the interconnected nature of human existence. He has conducted guest lectures and performances at countless colleges and universities across the nation. Francisco has shared stages with prominent artists such as Gladys Knight, Jordin Sparks, Musiq Soul Child, and Jill Scott. He is also the co-host of the largest poetry venue in San Diego, competes in domestic and international poetry slam competitions and had the honor of being nominated for an NAACP Image Award. Ultimately, Rudy’s goal is to continue to assist others in harnessing their creativity while cultivating his own. Rudy Francisco is the 2009 National Underground Poetry Slam Champion, 2010 Individual World Poetry Slam Champion and appeared on TV One’s “Verses and Flow”

A Brief Look at the History of Goucher’s Land

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In 1885, Goucher College was founded in Northern Baltimore as the Women’s College of Baltimore. It then was renamed Goucher College in 1910 to honor the contributions of Dr. John Goucher and his wife Mary Fisher Goucher. As early as 1914, the college sought to move out of Baltimore, due to the fact that “the character of the immediate neighborhood of the College was then beginning to change so rapidly.” The college purchased 421 acres of land in Towson in 1921. When the students first ventured to the Towson campus, the school newspaper described it as a visit where students “rambled for miles through the meadows, cornfields and woods that in a very few years will have been metamorphosed into the Academic Quadrangle, the Lake, Faculty Row, and everything else that one’s fondest dreams may suggest.”
The move was a time of great hope and anticipation, leading to a campaign where alumnae each raised $421 to fund the building of the new campus.

Goucher women visit the new campus in 1920s. Photo credit: Goucher College Archives

The land that became Goucher was originally owned by the Ridgely family as part of Hampton Estate. The Hampton Estate was one of the largest slave plantations in Maryland, before it was given by the family to their relatives, the Chew Family. The land then became the Epsom farm, which was still worked by slaves. When the college bought the land in Towson from the Chew family, it was stipulated in the deed that “that no part of said land or premises shall ever be leased, sold, transferred to or occupied by any person of the African Race; this provision, however, not to apply or include occupancy of servants, or employees of the owners of the premises.” Even after the sale, members of the college upheld a close neighborly relationship with the then owner of Hampton Estate, Captain Ridgely.
The move from Baltimore to Towson began in 1921 but was not completed until 1954, due to financial difficulties and building supply shortages during World War II. The 1950s was also a period during which white-flight was happening across the United States and in Baltimore, as white residents of cities moved out of the city center and into the suburbs and more people of color moved into the cities. In 1937, the Residential Security Map of Baltimore had been created, which is now known as a redlining map, meant to prevent the sale of property to people especially people or color and the poor who lived in certain geographic areas, particularly those in the inner-city. In this map “desirable” mostly white neighborhoods were marked as green, while “undesirable” neighborhoods with high lending risk were marked red. Through this effort and through neighborhood covenants, people of color were excluded from living in certain neighborhoods and were refused housing loans and insurance. This map was created by a number of real estate brokers as well as with help from Ivan McDougal, Professor of Economics and Sociology at Goucher College.
In summation, the history of the campus is far more complicated than is regularly acknowledged. This information is all available from the Goucher archives, which can be found online at http://blogs.goucher.edu/digitallibrary/.
If you are interested in learning more about this history or simply discussing what you know about the history and how it affects the college today, please contact me (Sophia Hancock at sohan001@mail.goucher.edu)! I am currently conducting a research project on the history of the campus as a part of my Environmental Studies capstone project.

SOPHIA HANCOCK

Goucher Model U.N. Attends Harvard Conference

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Wake up! It’s 5:50 am and my alarm rings. My roommate just sleeps through it but I am on a mission. I shower, pack my suits and bowties, then head over to the Welsh kitchen. There I meet my team, my brothers and sisters in arms representing Mongolia at the Harvard Model United Nations conference. At Welsh, Alex, the club president, is making us crêpes with nutella, the breakfast of champions. We head off to the airport and fly to Boston.
After checking in at the hotel, a quick twenty-minute walk from the conference, we headed out to get burgers. While sitting with my fellow “Mongolian” delegates, we briefly discussed what was going to occur. This was the first time many of our team members’ participated in Model UN and even fewer of us had been to the Harvard conference before, so we had no idea what we were getting into. After realizing we had stayed in the burger joint too long, we ran a few blocks to get to the opening session on time.
We were struck by the sheer size of the conference. Close to three thousand students from over sixty countries were present. There we sat in the Grand Ballroom, ready to be awakened with a sense of passion, not for one’s country, but for humanity. People flew in from Venezuela, China, the Netherlands, Ghana, Peru, and many other countries. The previous US ambassador to Austria took the stage. She gave a rousing speech and a call to action to look beyond the dilemmas facing each individual nation, and to look at how we as a global community can work together to uplift us all. Then committee started.

This was the first time many of our team members’ participated in Model UN and even fewer of us had been to the Harvard conference before, so we had no idea what we were getting into. Credit: Google Images

I walked into a room of seventy people and immediately began schmoozing to see who would be my potential allies and enemies. The topic, violience against LGBTQ indivuals, was chosen. From there, representatives from various nations began speaking about how their country has attempted to solve the problem. Everyone wrote frantic notes to see who would support their ideas in a resolution. Writing resolutions is the key because these pieces of paper mimic real UN resolutions which push national governments in certain directions. Resolutions most of the time do not convey any hard power but they essentially are used to pressure nations towards moving in specific directions.
Things really started to pick up as we discussed ideas about education programs, better policing, hotlines, as well as many others. The meetings spilled into breakfast coffee runs where we were all frantically arguing and writing, making sure that our nation’s interests were represented. After three full days of arguing and negotiating it all came down to a vote.
There were four groups of countries each writing their own resolution, and I was working on two seperate ones, thinking that the two would merge. Instead of the two obvious mergers they instead merged with another resolution that I had no previous connection to, and I then became the ally of the only two opposing resolutions on the floor. The resolutions also had exactly half the amount of votes, one less for them to pass, and only one could pass. Realizing the difficulty of my situation as the ally of both resolutions, I was able to extract concessions from both sides in an attempt to get the best deal for Mongolia. When we entered the voting procedure on the resolutions, to determine which one would pass and which fail, I decided that, in the best interest of the Mongolian people, we would vote against both resolutions. Things got crazy in the immediate aftermath of my destruction of the committee. It was a hard decision to betray my allies. I did openly lie to both sides about my support, just to make sure they would not try to win votes from others. The end result was three days of negotiations and deal making only to be torpedoed by me because the coalitions did not meet my demands.
These experiences can only be offered in Model UN. The politicking and deal making will excite any thrill seeker, not to mention the social aspects as well. There was a delegate dance, with international music, an international bazaar, and a casino night. Model UN is more than just pretending to be a diplomat from some random far flung nation, it’s an eye opening experience and a great chance to meet people one would normally never have the chance to meet. Meeting Venezuelans who were protesting against their corrupt president, meeting Chinese students and learning about their educational system — these opportunities are only offered at Model UN.
Goucher’s Model UN club is also planning on attending a local conference at Gettysburg College soon and we are open having to new and adventurous delegates.

DAVID KAHANA

First Baltimore Student Environmental Conference

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Students from Johns Hopkins, Notre Dame of Maryland, Loyola University Maryland, and Goucher met at Loyola University for the first annual Baltimore Student Environmental Conference.

On Saturday, February 25, the first annual Baltimore Student Environmental Conference was held at Loyola University. This conference brought together leaders from environmental clubs from Goucher College, Johns Hopkins, Notre Dame of Maryland, and Loyola University Maryland. It was organized by the Loyola Environmental Action Club in order to encourage the colleges to work together and to share the struggles they have experienced around organizing for greater sustainability at each of their schools. Two Goucher clubs were represented at the conference: Eco Team, represented by Katherine Elicker and Beekeeping Club, represented by Virginia Turpin. There were 17 students in total in attendance, with students representing the Notre Dame environmental club, Johns Hopkins’ Students for Environmental Action (SEA), and the Loyola Environmental Action Club (EAC).
Club representatives from other universities discussed their environmental initiatives, such as making composting feasible, banning plastic bottles and bags on campus, and fundraising for local environmental groups. Several student groups are working on starting gardens, similar to Ag Co-op here at Goucher. A club at Johns Hopkins, Refuel our Future, has been working towards the college divesting from fossil fuels for six years. Johns Hopkins’ SEA is also planning a student fashion show centered around sustainability. These clubs also are working to engage with the intersections that exist between environmentalism and other areas, such as feminism.
Inspired by the conference, Goucher students proposed that all the environmental groups on campus come together in order to coordinate their efforts under an umbrella of club leaders, using a model similar to the model used at Johns Hopkins and Loyola.

SOPHIA HANCOCK

Abby Stein: Trans Activist and Former Rebbe Visits Goucher

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On February 20th, Goucher Hillel brought activist Abby Stein to come speak with the college community.

Socialized as a man for the first twenty years of her life and born into a royal bloodline, Stein was trained as a rebbe for the Hasidic community shortly after her arranged marriage at age 19. She left the community in 2012, and came out as a transgender woman in 2015.
Photo Credit: Google Images

During her talk in the Hyman Forum, Stein told us about her life on the inside of the Hasidic community of Williamsburg, Brooklyn. (For some reference, think of Fiddler on the Roof.) She informed us how she was taught that “T.V. is the devil,” and that men and women should occupy entirely separate spheres of the Hasidic community.
Socialized as a man for the first twenty years of her life and born into a royal bloodline, Stein was trained as a rebbe for the Hasidic community shortly after her arranged marriage at age 19. She left the community in 2012, and came out as a transgender woman in 2015. She spent a significant part of her talk describing the schooling system within the Hasidic community, pointing out that only girls were taught any English growing up. While boys were expected to study the Talmud, requiring them to only need to know Hebrew and Yiddish, most girls worked in the larger Brooklyn area once married. Despite this, the secludedness of the community ensured that the prevailing languages spoken were Hebrew and Yiddish. Stein underscored this point when she said that after leaving the community it was as if she was an “immigrant to [her] own country,” despite having been born and raised in New York.
One of Stein’s slogans is “refusing to shut up.” A part of this includes educating people on Hasidism without bashing individuals within the community. I learned that being a rebbe is different from being a rabbi in that Stein remarked that rebbes are considered the “political, spiritual, and financial leader” of the community. She likened the community’s structure to that of a monarchy, and commented that “[gender] roles are set in stone.” That she herself was a rebbe within this incredibly insular community made this ethnographic approach more accessible to me. Instead of feeling the need to defend any aspect of Judaism, I could simply appreciate Stein’s critique of the tradition she was raised in.
An engaging speaker, Stein felt approachable. She sidestepped the subject of how to be a good ally, and instead challenged us as audience members to listen to her story without needing to make it about us instead. She spent an hour telling us the story of her life, and an hour after that answering questions from the audience about almost anything under the sun. Stein made it clear that she does not have all the answers to how we can build a more welcoming world on a large scale, but she does know that the self-made choice to come out is worth celebrating.
So, what? Why should we care? What if you aren’t queer, or Jewish, or both? Callie Hamm, ‘21, summed it up simply: “anybody from any background can get something out of it.”
Here are a few of the resources Stein highlighted in her talk:

  • Her website, http://thesecondtransition.blogspot.com/ includes her blog and a plethora of Jewish- and queer-centric resources
  • Watching YouTube videos of trans people talking about their identities
  • One of Us on Netflix
  • Follow her on Instagram @abbychavastein

In addition to bringing speakers to campus from time to time, Goucher Hillel hosts a free Shabbat dinner every Friday night, and all are welcome to attend. Want to know more about Abby Stein, Jewish life on campus, or are interested in being a part of a Jewish and Queer affinity space? Feel free to email me at nelev001@mail.goucher.edu.

 

NEVE LEVENSON

Events in Baltimore (February 16th-March 2nd)

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February 16

  • 4 Hours of Funk** at The Windup Space
  • BEYONCE VS RIHANNA DANCE PARTY at Ottobar
  • IT’S UNVALENTINE’S DAY! DANCE PARTY* at Metro Gallery
  • Caz Gardiner w/ The Flying Faders, Suburban Hi Fi at Sidebar
  • Shellshag w/ Bigmouth, the Guests, Faunas, Pearl at Joe Squared
  • The Future in the West** at The Crown
  • REACHES//PWM//TarikEvolve//SeanKing** at The Crown
  • LITZ 2 Day Run (Live Album Release): Funk You* at The 8×10
  • Frozen Harbor Music Festival: Day One at Baltimore Soundstage
  • Frozen Harbor Music Festival: Day One at Rams Head Live!
  • Monster Jam: Triple Threat Series at Royal Farms Arena
  • “Pictures at an Exhibition” at Joseph Meyerhoff Symphony Center
  • Steve Martin and Martin Short: An Evening You Will Forget For The Rest of Your Life at The Lyric
  • Ladies Night at Grand Central Nightclub
  • “Along with the Gods: the Two Worlds (신과함께-죄와 벌)” at The SNF Parkway

February 17

  • Baltimore Into Comics Issue #17 at The Windup Space
  • STACKED LIKE PANCAKES w/ THE STOLEN, MORE TBA at Ottobar
  • SURF ROCK NIGHT! OTTOBAR’S SHRUNKEN HEAD w/ KILLERS FROM SPACE, THE TSUNAMI EXPERIMENT at Ottobar
  • JOSEPH & THE BEASTS w/ Manners Manners, Santa Librada, DJ Pancakes* at Metro Gallery
  • Rats In The Wall w/ All Torn Up, Pearl, Syringe at Sidebar
  • Elegant Filth: Live Burlesque** at The Crown
  • LITZ 2 Day Run (Live Album Release): Box Era* at The 8×10
  • Frozen Harbor Music Festival: Day Two at Baltimore Soundstage
  • Frozen Harbor Music Festival: Day Two at Rams Head Live!
  • Monster Jam: Triple Threat Series at Royal Farms Arena
  • “Pictures at an Exhibition” at Joseph Meyerhoff Symphony Center
  • Charles Revival Series: “Night and the City” at The Charles Theatre

February 18

  • ROAD TO SXSW at Ottobar
  • HONEY RADAR w/ Margins, Homosuperior, Birth (Defects), Henry Owings* at Metro Gallery
  • GLOOP, Jim Shorts, Middle Kid, Too Soon Jokes at New America
  • INTERVALS “THE WAY FORWARD TOUR” w/ JASON RICHARDSON, NICK JOHNSTON, NIGHT VERSES at Baltimore Soundstage
  • Monster Jam: Triple Threat Series at Royal Farms Arena
  • “Pictures at an Exhibition” at Joseph Meyerhoff Symphony Center
  • Cinema Sunday at The Charles Theatre

February 19

  • Hortio Dark at The Windup Space
  • Charles Revival Series: “Night and the City” at The Charles Theatre
  • “Chisholm ’72 – Unbought and Unbossed”: President’s Day Screening! At The SNF Parkway

February 20

  • Black Mass w/ Led To The Grave, Narrow Grave at Sidebar
  • SILVERSTEIN & TONIGHT ALIVE w/ BROADSIDE, PICTURESQUE at Baltimore Soundstage
  • STRFKR w/ Reptaliens at Rams Head Live!
  • Louis Malle’s “God’s Country” presented by Colette Shade at The SNF Parkway

February 21

  • Drink and Draw!** at The Windup Space
  • TRONG-PONG: Black Light Table Tennis at The Windup Space
  • I SET MY FRIENDS ON FIRE w/ KISSING CANDICE, AWAKEN I AM, AT THIS POINT, SPERMASAURUS REX at Ottobar
  • YNDI HALDA w/ Staghorn, Time Columns at Metro Gallery
  • Pow Pow Family Band/ $100 Girlfriend/ James and the Giant Peach** at The Crown
  • ELM February Residency: lespecial* at The 8×10

February 22

  • Beat Barrage featuring Ashley Sierra and Ullnevano and MORE! at The Windup Space
  • FULL OF HELL w/ PRISONER, NEOLITHIC, R-COMPLEX at Ottobar
  • DJ DIAMOND DUSTIN SPINS PUNK & METAL!** at Ottobar
  • IAN BROWN MEMORIAL w/ Alms, Cemetery Piss, Pearl* at Metro Gallery
  • No Zodiac w/ Strengthen What Remains, Iron Price, Dahmed., Cancer Priest at Sidebar
  • UFO VOL 11** at The Crown
  • A Night Of Japanese New Wave & Obscure** at The Crown
  • Roots of Creation Grateful Dub Tour ft. Kash’d out, The Elovaers* at The 8×10
  • “Rite of Spring” at Joseph Meyerhoff Symphony Center
  • Justin Moore: Hell on a Highway Tour at The Lyric
  • Charles Revival Series: “Get Out” at The Charles Theatre

February 23

  • Surf Harp (Record release) w/ Operator Music Band, Zula, Chiffon, Jacober at The Windup Space
  • TIM BARRY w/ JOSH SMALL, ROGER HARVEY at Ottobar
  • MATT TALLEY (EP RELEASE) w/ Locus Sound, Thunder Club, Flying Jacob, TM Lockemy* at Metro Gallery
  • Street 45’s w/ E. Joseph and the Phantom Heart, 3rd Grade Friends, Subtastics at Sidebar
  • Depth Perception Presents: The Pleasure Tour ft. Exmag + Bass Physics, DeltaNine, Image.Nation* at The 8×10
  • ELI YOUNG BAND w/ MELODIME at Baltimore Soundstage
  • Katt Williams at Royal Farms Arena
  • “Off the Cuff: Rite of Spring” at Joseph Meyerhoff Symphony Center
  • Baltimore Craft Show at Baltimore Convention Center
  • “Golden Exits” with director Alex Ross Perry! at The SNF Parkway

February 24

  • LET THERE BE HOUSE! at The Windup Space
  • BLACK MASALA at Ottobar
  • BUTTER::
  • OLD-SCHOOL CHILL HOUSE VIBES W/ DJ DAN G & MORE!** at Ottobar
  • PIANOS BECOME THE TEETH w/ Praise, Unholy Sights* at Metro Gallery
  • Bad Time w/ No Parking at Sidebar
  • June Star with Stars and the Sea w/ Leland Sundries, Saddle of Centaur at Downsquares
  • Night Gruuvs** at The Crown
  • Splintered Sunlight* at The 8×10
  • THE PRINCE EXPERIENCE at Baltimore Soundstage
  • “Off the Cuff: Rite of Spring” at Joseph Meyerhoff Symphony Center
  • Charles Revival Series: “Boudu Saved From Drowning” at The Charles Theatre
  • MET Opera: “La Bohème” at The Charles Theatre
  • Atomic Comics Klatch (ACK!) at Atomic Books

February 25

  • Baltimore Record Bazaar Winter Show! at The Windup Space
  • “Expert of Nothing” comedy game show at The Windup Space
  • “MORE LAUGHS” THE ANNUAL BIG FRED BIRTHDAY COMEDY SHOW at Baltimore Soundstage
  • “Rite of Spring” at Joseph Meyerhoff Symphony Center
  • Revival Series: “Warner Brothers Cartoon Show” at The Senator

February 26

  • VÉRITÉ w/ Roses And Revolutions, Pale Spring at Metro Gallery
  • Runaway Brother w/ The Neckbeards, Clairvoyant, Pinkwench, 96 Olympics at Sidebar
  • Charles Revival Series: “Boudu Saved From Drowning” at The Charles Theatre

February 27

  • Brews and Board Games** at The Windup Space
  • Gutter Demons w/ Meteor King, Skapparoneday at Sidebar
  • The Beanie Bros Tour 2018* at The Crown
  • Oak House / Drone Theory / Stars and The Sea* at The Crown
  • Atomic Reading Club: Less Than Zero at Atomic Books

February 28

  • TRONG-PONG: Black Light Table Tennis at The Windup Space
  • ADULT. w/ HIDE, Extended Release* at Metro Gallery
  • ELM February Residency: DJ Williams Shots Fired w/ All Star Cast* at The 8×10
  • Revival Series: “Once Upon A Time In America (Extended Director’s Cut)” at The Senator
  • Gunky’s Basement Presents: “American Psycho” on 35mm! At The SNF Parkway

March 1

  • Foxhole Atheists at Sidebar
  • MONDO BALTIMORE: Trash Flicks and Cult Epics!
  • Ed Schrader’s Music Beat w/ Wume, Smoke Bellow* at Metro Gallery
  • CHEFS: The Sizzling Kitchen Showdown
  • Revival Series: “Belladonna of Sadness” at The Charles Theatre

March 2

  • Tomason (record release) w/ Sea Lilies (record release), Flying Faders, Yanni II at The Windup Space
  • Pressing Strings w/ Skribe* at Metro Gallery
  • Lost in Society w/ Rooney’s Show, The Stifled, Old Bay Thrashers at Sidebar
  • SOOHAN w/ Anna Morgan – Christian Dope at The 8×10
  • “KÉKSZAKÁLLÚ” at The SNF Parkway
  • “Western” at The SNF Parkway

December Events

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KEY: 

*​ ​18+ 

**​ ​21+

December 8

  • Comedy Night at Goucher College
  • Emo Night Baltimore at Ottobar
  • Thrushes w/ Rouge Conjurer, Thee Lexington Arrows* at Metro Gallery
  • Illenium w/ Said the Sky, Dabin at Rams Head Live
  • 808: The Sadboi Series (vol. 7)** at The Crown
  • Cecil Frena + Faith Healer w/ Raindeer, Wipeout* at The Crown
  • Australia’s Thunder From Down Under* at Baltimore Soundstage
  • Jazz is PHSH* at The 8×10
  • Blacksage w/ Humanmania, Serquet, Mala Fides at Sidebar
  • Anime Night: Sailor Moon S The Movie: Hearts in Ice at The Charles Theatre

December 9

  • Baltimore Ballet’s 17th Anniversary “The Nutcracker” at Goucher College
  • The Second Saturday S#!t Show – Free Stand-up Comedy* at Ottobar
  • Dehd w/ Post Pink, Baklavaa, Joe Biden* at Joe Squared
  • The CTRL Tour: SZA w/ Smino, Ravyn Lenae at Rams Head Live
  • Version with Trillnatured ft. DK The Punisher* at The Crown
  • The BPM Experience: The Baltimore Edition at The Windup Space
  • Graffiti Warehouse Fantasy Meet n’ Greet Party! At Graffiti Warehouse
  • 1st Annual Mind on Fire Snowball ft. DJ Dan Deacon, DJ Dirty Face at EMP Collective
  • 2018 Harlem Globetrotters World Tour at Royal Farms Arena
  • Dollar Days at Maryland Science Center

December 10

  • Digitour w/ Nathan Triska, Simon Britton + more TBA at Ottobar
  • Miracle on 34th Street at W 34th St, Baltimore, MD 21211
  • The Dear Hunter w/ The Family Crest, Vava at Baltimore Soundstage
  • TSOL, the Goons, Stop Worrying and Love the Bomb at Sidebar
  • Fantasia at The Lyric
  • Revival Series: Babe at The Senator Theatre
  • Mega Flea Market at Maryland State Fairgrounds
  • Dollar Days at Maryland Science Center

December 11

  • Silent of Fifth Street w/ Filth, The Machinist, Kriminals, Louder Than Quiet, Voids at Ottobar
  • Sports w/ Softglas, The Slim Jimmies at Metro Gallery
  • Dr. Sketchy’s Anti-Art School: Baltimore at The Windup Space
  • Converge w/ Pile, Give at Baltimore Soundstage
  • Scrooged/Bad Santa Double Feature at The SNF Parkway/Maryland Film Festival

December 12

  • Bachelor Boys Showcase at The Windup Space
  • Breaking with Tradition: Stories about Unconventional Holidays at The Senator Theatre

December 13

  • The Stolen w/ Jett Bailey, Big Infinite, more TBA at Ottobar
  • McCafferty w/ Heart Attack Man, Chris Swartz at Metro Gallery
  • 93.1 WPOC Acoustic Christmas ft. Lee Brice & Friends at Rams Head Live
  • Height Keech w/ Ami Dang, Frenemies Get Shredded vol.2* at The Crown
  • MICA SoundBox at The Windup Space
  • Anime Night: Spirited Away at The Charles Theatre
  • POW Feminist Comic Book Club at Atomic Books
  • Melanin Records Winter Showcase at Motor House
  • Black Business Bazaar at American Brewery

December 14

  • The Number 12 Looks Like You w/ Rolo Tomassi, Cryptodira at Ottobar
  • Black Marble w/ YOU., The Holy Circle* at Metro Gallery
  • Sentient Planet 4* at The Crown
  • Party Pack ICE w/ Chris Pumphrey’s MONDAWMEN  at The Windup Space
  • Liberata w/ Jeanette Lynne, Emily Henry at Joe Squared
  • Eighteen Visions w/ Knocked Loose, Old Wounds, Tourniquet at Baltimore Soundstage
  • DEADcember ft. Steal Your Peach* at The 8×10
  • Star Wars: Episode VIII at The Senator

December 15

  • Super Art Fight UNLEASHED!* at Ottobar
  • Quattracenta Record Release Show w/ Snakes, Margins* at Metro Gallery
  • The Legwarmers: Ultimate 80’s Experience** at Rams Head Live
  • Friday Night Magic: Dance Party* at The Crown
  • DAI Burger w/ Kotic Couture, Black Salem** at The Crown
  • 4 Hours of Funk** at The Windup Space
  • Infinity Knives w/ Tigerlily Jones, Blueberry, Albert Bagman at EMP Collective
  • Da Kid Emm w/ DJ Havok, Donnie Breeze, King Forrest at Baltimore Soundstage
  • The Mostly Dead, The Dissociated, + more TBA at Sidebar
  • Marc Rizzo of Soulfly and Sledgehouse Reunion Show at Reverb
  • Eyelet w/ R-Dent, Forges, My Sweet Anchor at TheDepot
  • MAH Presents: Going Hard! ft. Scott Brown & M-Project* at The 8×10
  • Star Wars: Episode VIII at The Senator

December 16

  • 15 Years of Arbouretum w/ Television Hill, Stephen Strohmeier at Ottobar
  • Highly Suspect at Rams Head Live
  • Roots/Raices** at The Crown
  • Skin Tight Soul Party** at The Crown
  • Flash Gordon Night! at The Windup Space
  • Baltimore Into Comics Issue #16 at The Windup Space
  • Point Break Live! at Baltimore Soundstage
  • A Very Batz Xmas Party Goth + Industrial DJ’s CB & Hemlock at TheDepot
  • Navasha Daya: A Soulful Rock & Roll Tribute to Jimi Hendrix at Creative Alliance
  • The United States Army Field Band at The Lyric
  • Compactor w/ Bastet, ThetaFlux, Extended Release, Immanent Voiceless at Graffiti Warehouse
  • Star Wars: Episode VIII at The Senator
  • Revival Series: Beat the Devil at The Charles Theatre
  • Anime Night: Spirited Away at The Charles Theatre
  • Mistletoe Mayhem** at Power Plant Live

December 17

  • Expert of Nothing at The Windup Space
  • Tactical Cinema at Baltimore Free Farm
  • The United States Army Field Band at The Lyric

The Equestrian Team: Something to Be Proud of

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Goucher’s equestrian team is something to be proud of. The team is known for their skill and enthusiasm for the sport. There are even some places on campus where the horses venture with their riders, such as the jumps near a trail in the woods. Unlike most sports, the equestrian season is a nearly all year. Several events take place both on and off campus. Horseback riding is an interesting sport in that it involves more than just a competitor and their teammates; it involves the competitor and another animal that they themselves are responsible for. In a way, the horse is valued much as a teammate and partner.

Senior Cary Hundley claimed High Point Rider award for fifth consecutive show in early November. Photo Credit: Goucher College Athletics

There is a lot of work that goes into the team, beyond the shows and competitions. Goucher is one of the only schools to host horses on its campus, so riders have the liberty to practice and train on their own and with instructors multiple days a week.

Ari Schlossberg, a senior who is going on his fourth year on the team, talks about some of the process behind the horse shows and how they operate.

Surprisingly, home events take up more of the day than away events. The day starts as early as 5:30 AM and lasts until about 5 PM. All riders are expected to groom and tack up the horses. The horses that the riders compete with that day are not necessarily the ones that they have been practicing with. The available horses are not decided by the riders, but the horse will most likely match the skill level of the rider. When the competing school arrives, there will usually be horses being “schooled” in the outside arena. These are horses that have to be worked on for many various reasons, and the people riding the schooling horses are able to display their skills to the opposing school.

Once the horses are all groomed and tacked, they need to be warmed up. Warm-ups are important for both the rider and the horse. Schlossberg says that warming up gets the horse’s temperature, breathing, and muscles prepped for working and being active out in the ring. He also says that when he’s competing, it is very easy for him to “get in the zone.”

There is not as much rivalry between schools in terms of equestrian sporting as one might expect. However, there are still intense situations. If a rider’s score is tied with another rider, they will compete with each other for a dominant score, which can be more personal to the rider than most parts of a competition.

Schlossberg says that competing is “an act of focusing.” There is a checklist of things that a rider needs to be aware of in terms of their strengths and weaknesses, paying special attention to the skills that they have fine-tuned over the course of any given training period. He states that. when thinking about horsemanship, there is no one thing that is more important than any other. “Poise” is the word Schlossberg says most accurately encapsulates it. “The idiom ‘get back in the saddle’ exists for a reason.”

RACHEL HASLETT

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