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The Quindecim has 75 articles published.

PUBLIC SAFETY BLOTTER

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The Quindecim is granted access to information about violations of the Goucher College Code of Conduct and Academic Honor code. The information is compiled by Andrew Wu, Goucher’s Associate Dean of Students for Student Development. This report is comprised of incidents that occur during the two weeks leading up to each issue of

The Quindecim. 

Public Safety Incident Reports

 April 17th, 2018 – April 30th, 2018

PUBLIC SAFETY INCIDENT REPORTS

Alcohol/Drug

  • Public Safety received a report from JHU that a Goucher student was arrested for possession of marijuana (over 10g)
  • Information alleging two students smoked marijuana near Stimson, no evidence found
  • Two students found in P-Selz in possession of marijuana and pariphernalia

Fire Safety

  • Accidental fire alarms in Conner and Welsh

Harassment/Disorderly Conduct

  • Student reported ongoing harassment/intimidation by another student

Injury /Medical Emergency

  • Two students transported to hospital for medical reasons

Theft

  • Wallet stolen by unknown individual in Robinson, BCPD contacted to respond

Vehicle Incident

  • Student vehicle damaged in Dorsey lot
  • Damage to guest vehicle reported near Alumni House
  • Vehicle stuck in mud near Stables
  • Campus guest accused of reckless driving on loop

Damage/Vandalism

Other

  • Student physically assaulted another student in Jeffery

STUDENT CODE OF CONDUCT DECISIONS

  • Student found responsible for possession of marijuana over 10g – restricted from entering campus other than for purposes of attending class
  • Student found responsible for underage possession of alcohol, possession of marijuana (under 10g), possession of drug paraphernalia – issued educational sanction, $50 fine, parent notification
  • Student found responsible for fire safety violation – issued $250 fine
  • Student found responsible for damage to property – issued $680 restitution fine

Events in Baltimore (April 21st-May 5th)

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Port Of Call will be showing at the Charles Theater this month. Check out the list below for more Baltimore events.

Events in Baltimore (April 21st-May 5th)

KEY:
*​ ​18+
**​ ​21+

April 21

  • RECORD STORE DAY 2018
  • Bully, War on Women (record release), Shellshag at Ottobar
  • Tesseract, Plini, Astronoid at Baltimore Soundstage
  • Modern Fuzz, Tild, Apex, Sycamyre, Paid in Full at Sidebar
  • Black Alley Band at Metro Gallery
  • My Life with The Thrill Kill Kult, 51 Peg, Machines of Living Death, Screaming in Silence** at Fish Head Cantina
  • Ivy Lab, PAINT, Shield, Chee at The 8×10
  • Rally in the Alley at Tin Roof
  • Platinum Comedy Tour ft. Mike Epps, Earthquake, Deray Davis, Rickey Smiley, Tony Rock
  • The Journalouges at The Motor House
  • A Lor Bit of Soul at The Motor House
  • Revival Series: “Port of Call” (1948) dir. Ingmar Bergman at The Charles Theatre

April 22

  • Conjunto Bruja, Kiko Villamizar at The Windup Space
  • Circa Survive, Foxing, Hail the Sun at Rams Head Live!
  • Reginald Ballard aka Bruh-Man, Mickey, Cucchiella, Howard G at Baltimore Soundstage
  • The Skull, Foghound, Lifetime Shitlist at Metro Gallery
  • Revival Series: “Dead Man” (1995) dir. Jim Jarmusch at The Senator Theatre
  • “Masters of Long-Form Cinema: Time Regained” opening at The SNF Parkway

April 23

  • Dead Rider, Deakim, Smile Lines at Ottobar
  • Ministry, Chelsea Wolfe  at Rams Head Live!
  • Acid Mothers Temple, The Melting Pariso, U.F.O at Metro Gallery
  • Revival Series: “Port of Call” (1948) dir. Ingmar Bergman at The Charles Theatre
  • Revival Series: “Dead Man” (1995) dir. Jim Jarmusch at The Senator Theatre

April 24

  • The Darkness, Diarrhea Planet  at Rams Head Live!
  • Broken Dead, Neckbreather, Shot Tower at The Sidebar
  • Music Adventures with Ellen Troyer at Baltimore Symphony Orchestra
  • Revival Series: “Dead Man” (1995) dir. Jim Jarmusch at The Senator Theatre

April 25

  • Durand Jones & The Indications, Aztec Sun, Super City at Ottobar
  • Rico Nasty, Abby Jasmine, Cellis, Phizzals at Baltimore Soundstage
  • Stop Light Observations, Rare Creatures at Metro Gallery
  • Grateful April, Deadgrass at The 8×10
  • Revival Series: “Bonnie and Clyde” (1967) dir. Arthur Penn at The Senator Theatre
  • Anime Night: “Paprika” at The Charles Theatre
  • Structure and Perspective Tour at Maryland Historical Society

April 26

  • Wreckless Eric, Olivia and The Mates, PLRLS at Ottobar
  • A Night of Japanese New Wave and Obscure at The Crown
  • Windup Space Spring Showcase! at The Windup Space
  • Shy Glizzy at Rams Head Live!
  • Nicole Atkins, Indianola at Baltimore Soundstage
  • Knower at Metro Gallery
  • Brit Floyd: Eclipse World Tour at The Lyric
  • Tchaikovsky with Balanchine at Baltimore Symphony Orchestra
  • Revival Series: “Port of Call” (1948) dir. Ingmar Bergman at The Charles Theatre
  • “Le Bonheur” (one night only!) at The SNF Parkway

April 27

  • The Pietasters, Kill Lincoln, The Forwards at Ottobar
  • Blush + Brews 2 Year Anniversary at The Crown
  • Bmore BeatClub 39 at The Windup Space
  • Station North Flea Market at The Windup Space
  • The Afghan Whigs, Built to Spill, Ed Harcourt at Rams Head Live!
  • Todrick Hall American at Baltimore Soundstage
  • Elagabalus, Acid Parenting t The Sidebar
  • Metro/Sexual – Drag Show hosted by Baby! at Metro Gallery
  • Powerman 5000 (New Wave 2018 tour), Lullwater, Scissorfist, G19, Krytid at Fish Head Cantina
  • Better Off Dead, Charm City Bluegrass After-Party! at The 8×10
  • Praise Over Baltimore at The Lyric
  • Alan Jackson, Randy Houser at Royal Farms Arena
  • Off the Cuff: Tchaikovsky with Balanchine at Baltimore Symphony Orchestra
  • Anime Night: “Paprika” at The Charles Theatre
  • “Hitler’s Hollywood” opening at The SNF Parkway
  • “The Blood is at the Doorstep” opening at The SNF Parkway

April 28

  • Lauren Ruth, Ward, Slugs, Sweepstakes at Ottobar
  • Night Gruuvs at The Crown
  • Work It (Missy & Timbaland Party) at The Crown
  • The Stranger (Billy Joel Tribute) at Rams Head Live!
  • What So Not, Michael Christmas, James Earl at Baltimore Soundstage
  • Old Bay Thrashers, Braceface, Melon Farmers, Flabbercasters, Urban Crater at The Sidebar
  • The Great Heights Band: “Rad-pop.” at Metro Gallery
  • Rickshaw Lizard, The Streams, Headless Robot, Experience at Fish Head Cantina
  • Revival Series: “Phanton Lady” (1944) dir. Robert Siodmak

April 29

  • Stacked Like Pancakes, Jonathan Plevyak, Rhett Repko, Mark Mikina at Ottobar
  • 10 years, Stone Horses at Rams Head Live!
  • The Underground Experience at Baltimore Soundstage
  • Mother’s Day Bazaar and Farmers Market at Fish Head Cantina

April 30

  • Horatio Dark: Horror movie screening at The Windup Space
  • Texas Hippie Coalition at Baltimore Soundstage
  • Revival Series: “Phanton Lady” (1944) dir. Robert Siodmak

May 1

  • BT-Da Vision at The Sidebar

May 2

  • Jim Shorts, Bested, Cheshi, Too Soon Jokes at Ottobar
  • Cooliom Edjacated, Phools, Troll Tribe at Baltimore Soundstage
  • Ganser, Lies Kill, Faunas at The Sidebar
  • Tweed, MINKA, Muscle Tough at The 8×10
  • Natural Velvet, Mayflower Madame at The Motor House
  • “Opening Night Shorts” (one night only!) at The SNF Parkway

May 3

  • Mondo Baltimore: Trash Flicks and Cult Epics! at The Windup Space
  • 3rd Grade Friends, DredNeks, Thirsty Curses, Pinkwench at The Sidebar
  • Pressing Strings at Metro Gallery
  • Haley Jane & the Primates at The 8×10
  • Jackson Browne at The Lyric
  • OrchKids 10th Anniversary Celebration at Baltimore Symphony Orchestra
  • Sean Jones & Friends Jam Session at The Motor House
  • Da Glow Up at The Crown

May 4

  • Touche Amore, Culture Abuse, Razorbumps at Ottobar
  • Galactic Empire, Cowabunga Pizza Time at Baltimore Soundstage
  • Tattoo Art Show! at The Sidebar
  • Caleb Stine & The Brakemen, Skribe, The Perennials at Metro Gallery
  • Jokers Wild, Adam Crouse Project + more! at Fish Head Cantina
  • You Already Know, Wide-Eyed Lounge Cats, Violet Jupiter at The 8×10
  • Iyanla Vanzant at The Lyric
  • To Berstein with Love at Baltimore Symphony Orchestra
  • John Waters presents: “I, Olga Hepnarova” at The SNF Parkway

May 5

  • Hope Along, Saintseneca at Ottobar
  • Berndsen, Raindeer, Darsombra, Stronger Sex at The Windup Space
  • The Little Merman at Rams Head Live!
  • Lightshow, Peso da Mafia at Baltimore Soundstage
  • FRIENDS FEST! at The Sidebar
  • Mc chris, Bitforce at Metro Gallery
  • Bleeding Black, Truth N Tempest, Bad Habit, Atomic Motel, Crow Hunter at Fish Head Cantina
  • Steal Your Peach, Cousin Earth at The 8×10
  • Mini Masquerade Ball at The Lyric
  • Lovett or Leave It at The Lyric
  • Pawject Runway at Royal Farms Arena
  • NPR’s Scott Simon at Baltimore Symphony Orchestra
  • Thrive release party! w/ Amy Reid, Scroll Downers + more! at The Motor House
  • Revival Series: “Strangers on a Train” (1951) dir. Alfred Hitchcock at The Charles Theatre

KATYA CASTRO

Get Into Goucher April 13th 2018

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Click on the photos above to see more photos of GiG.

On a lucky Friday April 13th, Goucher Students took to the Great Lawn, enjoying a community lunch, performances by student acapella groups, live music, a mechanical bull, and more.

Photo Credit:

Clayton Reynolds. Instagram: ClaytonReynolds27

Yuwan Zhang

May Hathaway

Students Pictured:

Madeleine Lemen

Dustin Taylor

Duncan Miller

Abigail Jones

Lydell Hills

Sarojini Schutt

Nathaniel Magloire

Kara Taylor

Wayne Cornish

Arthur Mutijima

Hannah Lane

Ashley Alyward

Sophie Friets

May Hathaway

Artist Pictured:

Sharnell Huff (Goucher Alum) AKA XennyDreamr

Onye

 

The Poetry Corner Part Two

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As a part of this semester’s theme of community, the Kratz Center for Creative Writing is sponsoring an event series called “Poetry as Community,” bringing local poets to campus. In conjunction with this theme, the Q has asked student poets to send in their own poems along with poetry recommendations. Here are student poets Sebastian Bronson Broddie, ‘20, and Thalia Richter, ‘20 on poets whose work they appreciate.

Sebastian’s Poet Recommendation: Gwendolyn Brooks is well known for crafting powerful poems about racial identity and many hold evidence of her engagement in politics, from when she worked with the NAACP in college. What I most love about Gwendolyn Brooks’s work is her ability to make me feel a great deal more like who I am supposed to be, or to feel a greater appreciation for who I am right now. I always feel like she knows exactly who I am when I read her poems, and that who I am is to be celebrated. Her subjects…sometimes seem to leap right off the page and envelop you in a warm, soft, comforting light.

Thalia’s Poet Recommendation: My favorite book of [Maggie Nelson] is Bluets, which is written as a cross between poetry and prose, ruminating on depression, loneliness, and love through the lens of the color blue. The book begins, “Suppose I were to begin by saying that I had fallen in love with a color. Suppose I were to speak this as though it were a confession.” Nelson’s obsession with the color blue bleeds into her discussions of depression, sometimes eliding the two, so that emotion gains literal visibility. Loneliness is blue, and perhaps parts of love are red, but no matter what, Nelson made me believe in the tangibility and physical realities of these emotions…Her poetry depicts love and heartbreak side-by-side, as though the latter is inevitable, but worth it for the sake of the former…by articulating her loneliness, Nelson creates a sense of shared sadness, and perhaps that can help lessen the burden.

To read the work of Sebstian and Thalia, look here.

Featured Image: Gwendolyn Brooks. Photo Credit: The Poetry Foundation

Goucher Poets: Sebastian Bronson Boddie and Thalia Richter

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As a part of this semester’s theme of community, the Kratz Center for Creative Writing is sponsoring an event series called “Poetry as Community,” bringing local poets to campus. In conjunction with this theme, the Q has asked student poets to send in their own poems along with recommendations for poets whose work they appreciate. This issue we feature Sebastian Bronson Broddie, ‘20, and Thalia Richter, ‘20. They’ve also shared what they appreciate about each others’ work.

Thalia Richter on Sebastian Bronson Boddie: Sebastian’s poetry has an undeniable individuality. My favorite poem of his, “the love letters of pretend gods,” is a love story built from imagery, like the sound of the speaker’s laughter and the taste of chocolate. Instead of leaning into cliché, Sebastian creates a specific moment, when this pretend god awakens in their tomb and sees their lover again. This moment is visceral, described through taste and scent and touch. Sebastian’s imagery comes from unexpected places and doesn’t relying on sight alone to carry the reader. He always brings a completely unique voice to his poetry and provides an insight into his own thoughts which is not only accessible to readers, but stunning to read.

the love letters of pretend gods
sebastian bronson boddie

there is nothing sweeter than waking up in my
tomb and feeling around in the darkness and silk for you and drinking in your joy
at our reunion. the black is so different with you in it. nothing is
quite like the way your skin tastes when i bite into the meat
of your hand and smell the sap that rushes out, tasting like hello. we are the same,
cut from jewel and geode, made to reflect back. the sun is sinking into the lines on your palm as
we speak; you break off a piece of the sky and taste it, say it is better than twelve
pieces of that fair-trade, organic, $18 chocolate (Ethiopian?)
we bought at the market in D.C. and my laugh sounds like goats
bleating for their milk back. but even this cannot break the moment, standing
facing one another in the living room, aching to kiss ancient dirt away. perfectly silent
as we trace the lines of each other’s godly faces in
our minds, cataloguing how many laughs these cheeks have suffered. how many tears the
skin has harvested. how many flowers will bloom from wrinkles. morning
is not for some time. that is just fine. the moon gives us a new light.

golden shovel poem
line 15-16 of jack gilbert’s “the forgotten dialect of the heart”

 

Sebastian Bronson Boddie on Thalia Richter: Thalia is really good at plucking a piece of nature that I’ve never seen before in poetry and attributing it to the subject of the poem. The nature imagery that she often uses is really its strongest point, because it’s never cliche, and I’m never expecting it; it’s very fresh. Paired with the way that she always manages to imbue the poem with a mythic air, even if the subject is not myth-related, makes for a poem that feels very holy. The images are never expected, and even if the subject of the poem is not particularly startling, it is profound in its quiet magic and air of mystery. It is always a pleasure to read.

Laura Palmer
by Thalia Richter

The pine trees sway together,
holding each other for company
and dry leaves skim the ground,
never touching, but twirling,
stroking the bark,

and she is here.
She’s always been here.
Hair like fox fur,
and her eyes, blue like stone,
or maybe the way
the mountains rest on the horizon.

Her eyelids never quite close,
and her gaze never quite meets yours,
but you can’t stop looking at her,
at her skin shining in the moonlight,
and she is so beautiful.
She is the only person in this whole forest,
except you of course,
and you’re not really here.

There are clouds now, rolling over the moon
the hollows below her eyes are shadows
and she is fading, returning to the pines,
their needles brushing her cheeks.
You want to ask her to come back,
but the trees join hands
and she is lost behind them.

To read the work of another Goucher poet, look here.

To read about poets that Sebastian and Thalia recommend, check out The Poetry Corner.

Featured Image: Laura Palmer from Twin Peaks. Credit: Backtotwinpeaks.com

Hidden Gems: Shopping and Recreation Near Goucher

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Writing 206/Spring 2018

Have you ever wondered what amazing places lay hidden deep beneath the areas around Goucher? Have you ever sat in your room, bored because you’ve already done all the “mainstream” activities offered to you by your friends? If you’ve felt yourself pondering these questions then look no further than the newest segment of the Q for ideas of your future adventures! We are helping students find other activities in and around Goucher that we feel are hidden. These places provide wonderful experiences for you and your group!

10 Car Pile Up
If you’re looking to get off campus, try thrifting at 10 Car Pile Up by the Towson Circle! It is a funky second hand vintage shop with a huge variety of clothing and accessories to choose from. Even if you’re not looking to buy, just walking around and trying on old coats and hats can be a fun outing. With its bright yellow exterior and eccentric window displays, it’s hard to miss when walking past. You’ve probably walked by it without even noticing! It’s a different way to get off campus and enjoy the spaces in Towson that doesn’t have to cost you a lot of money.

The Sound Garden
The Sound Garden is a well-loved part of Fells Point, Baltimore, celebrating their 25th year, however many Goucher students might not know about it. It is a local small business music store that has always been a supporter of up and coming bands and is filled with every CD and vinyl imaginable. From the most obscure album to the most popular, it’s the spot to get a hold of your favorite music. Recently, they added a room that is completely dedicated to vinyl. But, if you’re more of a movie fanatic, they have an entire section of DVDs as well! They have a huge collection ranging from music, DVDs, and band merchandise.
Surrounded by restaurants, shops, cafes, and a short distance away from the water, The Sound Garden’s location makes it ideal to visit and turn a warm, sunny day into a great trip to Baltimore with friends. You can also sell your old CDs and DVDs to the store if you’re looking to get rid of some stuff you don’t use anymore. They make sure they separate the new and old stuff in the store to make it convenient for buyers as well.
They also hold outdoor and in-store concerts and meet-and-greets whenever bands come to town. One band in particular that enjoys performing at The Sound Garden is All Time Low, as all band members are from Baltimore and were given the opportunity to perform at the store when the band was just beginning many years ago.

The Book Thing
Founded in September of 1999, The Book Thing is a free book store located in Baltimore. The store’s philosophy is giving books that people don’t want to people who do want them. Every book in the store is completely free. The only catch is that the books are not for resale.
Russell Wattenberg founded The Book Thing after hearing teachers talking about how they were not able to provide lower income students with enough reading materials. There is a limit of “150,000 books per person” so there is essentially no limit to the number of books that an individual can take with them.
The Book Thing is able to keep their doors open because of volunteer workers, and a consistent flow of in-person and mail-in donations. The store is open to the public every Saturday and Sunday from 9am to 5pm, however volunteers work at the store Monday through Friday from 10am to 4pm to keep the shelves stocked.
For more information visit: http://bookthing.org/#home

The Tin Roof
The Tin Roof is a small live music joint that serves both cheap beer and tasty food. The fun, casual and eclectic feel of the bar makes it the perfect spot to have fun with friends and make new ones.
The bar has hosted hundreds of bands since their creation, and live musicians are showcased on their stage seven days a week. Apart from live music, The Tin Roof also hosts events ranging from bar crawls to watch parties and karaoke nights. It’s even possible to book the bar for group parties and events with a customized entertainment package that caters to your group’s specific wants and needs.
The bar is open Tuesday-Sunday 11am-2am, Mondays 4pm-2am, and is located within Baltimore’s Power Plant Live at the Inner Harbor. If you’re looking for a laid-back atmosphere and a friendly crew, grab a brew, eat some food, make some friends and support local musicians at the Tin Roof in Baltimore.
For more information visit: https://www.tinroofbaltimore.com/about

The National Aquarium
Although this is not exactly a hidden gem, there are still a great deal of people who don’t know about the Aquarium. Tickets to the National Aquarium normally run $24.95 for children and $39.95 for adults.
Recently I was looking through their website and found that they do half price Fridays after 5 pm. This half price deal makes it much more accessible for college students or those on a budget. Half price Friday night starts at 5 p.m. and the last entrance is 7:30 p.m. which gives you ninety minutes to tour after the last entry–plenty of time to make it through the whole aquarium!

Rocky Point Park and Beach in Essex, MD. Photo Credit: Google Images.

Rocky Point Park and Beach located in Essex, MD
If you are looking for an adventure on a sunny day, check out Rocky Point Park and Beach located in Essex, MD. The park is open to the public year round for fishing, boating, and swimming. The park includes a sandy beach with a designated swimming area and an expansive view of the Chesapeake Bay. This is an ideal spot for a picnic with friends.

In Memoriam: Professor Emerita Marianne Githens

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In late February, Goucher received the sad news that Professor Emerita Marianne Githens had passed away. She was 83 years old.
Professor Githens was born in New York City and raised in Long Island. She received her Bachelor of Arts from Marymount Manhattan College before travelling to England to study further. In 1960, she obtained her doctorate from the London School of Economics. While there, she studied European political organizations and French political beliefs.
Professor Githens taught full time at Goucher from 1965 until her retirement in 2014, where she then continued to teach courses part time until 2016. During her tenure, Professor Githen’s advocated for inclusion, diversity, and equity. She supported women’s rights and rights for urban neighborhoods in Baltimore. She is recognized by many as a pioneer scholar in the field of women in politics and was the co-founder of the Women’s Studies Program at Goucher. She also served as the chair of the political science program.
In 1993, Professor Githens was appointed by the European Commission’s Commission of European Communities for Program Development to write a report on women in Europe.
In 2000, Professor Githens was named as Goucher College’s Elizabeth Conolly Todd Distinguished Professor. She won a myriad of awards from Goucher, including the Outstanding Teaching Award, Caroline Doebler Bruckerl Faculty Award, and a Human Rights Scholar Award. She also received a Distinguished Alumna Award from Marymount Manhattan College. After her retirement, she was honored with the title of Professor Emerita for her contributions to academia. Professor Githens helped shape the community that Goucher is today and dedicated her life to ensuring that those without a voice could be heard.

Featured Image: Marianne Githens. Credit: Baltimore Sun

PUBLIC SAFETY BLOTTER

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The Quindecim is granted access to information about violations of the Goucher College Code of Conduct and Academic Honor code. The information is compiled by Andrew Wu, Goucher’s Associate Dean of Students for Student Development. This report is comprised of incidents that occur during the two weeks leading up to each issue of

The Quindecim. 

Public Safety Incident Reports
March 23rd, 2018 – April 17th, 2018

Alcohol/Drug
• Two students found in possession of marijuana and paraphernalia in Wagner
• Marijuana and paraphernalia discovered in residence in P-Selz
• Large party broken up in Robinson, several underage students present with alcohol available
• Marijuana and paraphernalia discovered in residence in Jeffery
• Marijuana and paraphernalia discovered in residence in Jeffery

Fire Safety
• Fire alarm pulled in Jeffery
• Accidental fire alarms in Robinson x2, Hooper
• Student found burning incense in Dulaney
• Smoke detector found to be tampered with in residence in Bacon
Harassment/Disorderly Conduct
• Two students reported harassment in Hoffberger classroom
• Visitor arrested for trespassing and theft following incident in Hillel
• Student reported harassment via text
• Student reported violation of no-contact order in SRC
Injury /Medical Emergency
• four students transported to the hospital for medical reasons
• four students transported to the hospital for alcohol intoxication
• Student transported to the hospital for drug intoxication
• Visitor fell down Dorsey stairs, no major injuries
• Visitor transported to the hospital for medical issue
Theft
• Goucher sign discovered in residence in Lewis
• Goucher sign discovered in residence in P-Selz
• Apple computers stolen from FMS loading dock
• Student reported items stolen from room in Winslow
• Student reported possible break-in in Probst
Vehicle Incident
• Golf cart collision on loop road, minor damages
• Vehicle entering campus struck gate house, minor damages
• Bus became stuck in grass near SRC
• Golf cart struck a vehicle in SRC lot

Damage/Vandalism
• Bathroom door vandalized in Wagner
• Whiteboard vandalized in SRC
• Mirror broken in SRC multi-purpose room
• Toilet cracked in Probst bathroom
• Student damaged parking boot applied to vehicle in South Lot
• Student took responsibility for breaking breezeway glass in Stimson
Other
• Student reported gas smell in Jeffery, FMS and Fire Department responded with negative results
• Biiohazard clean up in Probst
• Visitor found using tool to cut tree near President’s House
STUDENT CODE OF CONDUCT DECISIONS

• Two students found responsible for possession of marijuana (under 10g), possession of paraphernalia, fire safety violation – issued educational sanctions, parent notifications, $250 fines
• Four students found responsible for a social host violation (alcohol-related); two of those students found responsible for underage possession of alcohol – all issued educational sanctions, parent notifications, $50 fines
• Student found responsible for possession of marijuana (under 10g), possession of paraphernalia – issued educational sanction, $50 fine, parent notification
• Student found responsible for violation of no-contact order, violation of college policy – removed from campus residence, banned from campus for any reason other than attending class, received warning recommending expulsion for future violations

* …means responsible person unknown 

The college policies cited in this report are available at the following links:

Student Code of Conduct and Sexual Misconduct Policy: 

 http://goucher.edu/legal-counsel/all-policies-and-procedures-a-z/

Academic Honor Code: 

http://goucher.edu/academics/academic-honor-code

Spin Bikeshare Comes to Goucher

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Goucher’s Bikeshare Program. Photo Credit: Madeline St. John

What’s orange, has two wheels, a couple gears, and makes me think of popsicles and summertime? That’s right. I’m talking about those neon bikes we’ve all seen around campus. They showed up sometime within the past few months, and everytime I see someone on one, I wish I could drop everything and go for a ride. But where did they come from? How can I use one?

I sat down with Gabi Silver, ‘21, to help me answer these questions. Gabi told me that he first saw Spin back in October, when he was visiting D.C. for the weekend. He reached out to Spin personally, asking about potentially bringing a bunch of bikes to campus, and they responded enthusiastically, saying they’d love to bring 25 bikes to Goucher. The following is a piece of my interview with Gabi. Answers have been edited for length and clarity.

NL: If I wanted to rent a bike, what steps would I have to go through to do so for my first time?

GS: It couldn’t be more simple, especially from a user’s point of view. It requires an app, so for iPhone users you go onto the App Store, and for Android users you go onto Google Play. You just search for an app called ‘Spin Bike Share.” It’s an orange app with an orange logo, and once you log on, and you use your goucher.edu email, it automatically sets the rate from $1/half hour to $1/hour. You put in a credit card [number], and from there, you just scan any of the QR codes located on the bike itself, and start your ride. It just kinda charges you for that: from the time the bike unlocks to the time you put the lock down.

NL: Are there rules about taking bikes off campus? How does that work?

GS: Since we’re on a campus, the agreement we made with Spin and the Goucher administration is that when you take a bike out you have to bring it back to campus within 24 hours. So that means that you might want to go to the Post Office, Target, or Walmart, [or anywhere off campus], but as long as the bike is back in the region of Towson within 24 hours, which you can see on the map on the app, you should be good. You shouldn’t get an email from us saying “Please bring the bike back.”

NL: But if someone rents the bike after I end my ride and before I can bring it back to campus, then it’s not my problem.

GS: Exactly. Yes. The actual bike relocation happens between me and the local bike repair company, and that’s not your problem if it happens. And if you do get an email saying you didn’t bring it back, just let me know, and I can definitely forward it to the right party.

NL: How long can I rent the bike for?

GS: We have 25 [bikes], as I said, on the Goucher campus, and there’re 100 at Towson..if you keep it for for 24 hours, you will be charged [the $24] for keeping it for that amount of time. So it’s not the kind of system where we want you to claim it as yours. In fact, that’s highly discouraged and against the Spin user agreement. The intention is to make it a system that’s fun and shareable for everyone.

Hope this helps! If you have any more questions, feel free to reach out to Gabi at gasil001@mail.goucher.edu. Happy riding! 

Neve Levinson

 

El colonialismo benevolente: la manifestación estadounidense del racismo y el sexismo

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Al final de la guerra hispano-americana en 1898, Cuba finalmente pudo cortar sus lazos con su poder colonial, España. Aunque el país finalmente se había librado de su enemigo duradero, otro estaba intentando lentamente reemplazar ese poder. Los Estados Unidos tenía diversos intereses políticos, sociales, y económicos en la isla; por consecuencia, Cuba se convirtió en la vanguardia de su movimiento imperial. Una de sus estrategias más eficaces para difundir su ideología imperialista fue a través de unas caricaturas en los medios de comunicación que estaban disponibles a la mayoría del pueblo estadounidense. Las caricaturas de los EEUU consistían en una versión humanizada, más conocida como Uncle Sam, mientras que Cuba fue imaginada como seres humanos “impotentes,” como mujeres, niños y personas negras. A través de estas imágenes, los Estados Unidos construyó una falsa imagen de Cuba como débil e impotente, lo cual impulsó su agenda imperialista.

Con el fin de comprender mejor los objetivos de EEUU, es importante comprender la táctica imperialista del colonialismo benevolente y cómo se utilizó para justificar a la intervención en la isla. El colonialismo benevolente es el fenómeno en el que los agentes coloniales (como los EEUU) crean un imaginario que los retrata como los salvadores o las guías paternas de una región colonizada (como Cuba). Durante los primeros años de separación de Cuba de España, muchos periódicos crearon caricaturas racializadas y feminizadas de la isla al representar a Cuba como una mujer blanca, un niño asistido por Uncle Sam, o un niño pendenciero de piel oscura. En su libro Close Encounters of Empire: Writing the Cultural History of U.S. – Latin American Relations, Eileen Findley explica que la ideología del cuidador benevolente retratada por Uncle Sam es la encarnación de un “regalo a los colonizados.” La combinación de este “regalo a los colonizados” y las caricaturas demuestra la visión racista y sexista de la isla subyacente a la agenda imperialista de los EEUU. El complejo salvador de este país también es criticado en el libro de Carmen Alfonso 100 preguntas y respuestas sobre Cuba cuando escribe,

“Su esencia en las pretensiones del poderoso país del norte en imponer a la isla sus concepciones hegemónicas desconociendo su derecho a la independencia y soberanía, y establecer el sistema económico, político y social que considere más conveniente para su pueblo.”

Así que, el pueblo de Cuba reconoció el próximo peligro de los Estados Unidos y la amenaza para su movimiento de independencia.

La representación de Cuba como mujer o niño perpetúa la idea de que la isla era demasiado femenina o infantil para guiarse, lo que permitió a los Estados Unidos racionalizar su intervención en la isla. La caricatura de Uncle Sam añade a esta opresiva ideología porque se supone que él es el epítome de la paternidad, la protección y la fuerza. A menudo, Uncle Sam abrazaba a Cuba (como mujer) mientras lloraba o aguantaba la mano de Cuba (como niño). Sus rasgos musculares, o lo que los expertos llaman su representación “mesomórfica,” contribuyen a este áspero sentido de masculinidad y paternidad. Estas representaciones construyen la idea del salvador benevolente, lo que refuerza la noción de que Cuba es incapaz de gobernarse adecuadamente a sí misma. Además, los cubanos eran vistos como racialmente inferiores a los ciudadanos de los Estados Unidos (proporcionando otra justificación para el poder imperialista), por lo que también fueron retratados como niños negros. La representación de Cuba como niño negro transmite la noción de incontrolabilidad, que está arraigada en estereotipos coloniales de afrodescendientes. Esta propaganda es exacerbada por la imagen supremacista blanca de Uncle Sam, lo cual también se basa en antiguas percepciones de la superioridad racial. Por lo tanto, los EEUU utilizaba nociones preconcebidas de identidades marginadas para promover su colonialismo benevolente.

El colonialismo benevolente fue un medio para justificar la intervención estadounidense en Cuba y otros territorios potenciales. Al crear la imagen del salvador paternalista, Cuba fue entonces percibida como una isla de brutos y débiles que no eran ni suficientemente sofisticados ni civilizados para dirigir su propio país. Las caricaturas utilizadas en los medios de comunicación durante este período de tiempo ayudaron a la meta del control estadounidense de la isla a través de representaciones sexistas y racistas de la isla personificada. Aunque las caricaturas de los periódicos no son tan influyentes como fueron una vez durante los primeros años del siglo XX, la táctica imperialista del colonialismo benevolente todavía sigue plagando a la política exterior estadounidense en la actualidad. Ya se trate de la guerra en Oriente Medio o de la intervención política en América latina, varios países todavía no son considerados capaces por los Estados Unidos de gobernarse a sí mismos. Hay una necesidad de seguir criticando la política exterior de los Estados Unidos y cómo el país continúa promoviendo sus propias agendas políticas y económicas en el mundo.

ELIEZER CARTAGENA

 

Featured Image: Google Images

 

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