The independent student newspaper of Goucher College

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The Quindecim

The Quindecim has 90 articles published.

Arrest Made for Campus Hate Crimes

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Official statement released by Men’s Lacrosse Team about the recent arrest for hate crimes perpetrated on campus.

On the morning of November 29th, the second hate crime of the semester was found in the second floor bathroom of Jeffrey. President Bowen, Deans Coker and Johnson, and Director of Public Safety David Heffer infomed the student body of the crime by email.

The most recent graffiti included direct threats against Black members of the Goucher community. Additionally, it contained anti-Latinx threats.

In another email sent to the student body during the afternoon of December 6th, the same members of administration noted, “the individual who was arrested for these incidents is no longer enrolled with the College, and will have no future relationship with the College. Further, the campus removal and ban referenced in last week’s update remain in effect indefinitely.” The email also noted that the College’s conduct procedure is “completely independent” from that of the criminal justice system.

One way in which the procedures differ is in their decision to disclose or withhold the name of the individual arrested. While Goucher’s conduct process does not allow the release of the names of students involved in such proceedings, the Baltimore County State’s Attorney does not follow this regulation. Fynn Ajani Arthur was named as the student “arrested and charged […]with two counts of Malicious Destruction of Property,” according to the Baltimore County Government website. In an update from December 4th, the website noted that “[a]fter consulting with the State’s Attorney’s Office for Baltimore County, four additional charges have been sought against Fynn Arthur in the form of a court issued summons,” including “[t]wo counts of bias instigated destruction of property” and “[t]wo counts of animosity instigated harassment/destruction of property.”

The report also mentions that the Office of Public Safety “partnered with agents from the Federal Bureau of Investigation Baltimore Field Office” to conduct the investigation, a partnership which Heffer had noted in a December 6th interview with The Quindecim.

Heffer also stated during the interview that the Office of Public Safety is “continuing to work with [their] colleagues in Student Affairs to offer support to the students who were specifically targeted.”

When asked about next steps from an enforcement perspective, Heffer said, “We are conducting an extensive survey of campus facilities to determine locations to install cameras in the residence halls.”

As mentioned in much of the outside coverage of this story, Arthur was a member of the Men’s Lacrosse Team. This is not the first time in recent years that members of this team have received attention for racially motivated behavior. The Quindecim reached out via email to Brian Kelly, head coach of the men’s lacrosse team to comment about the team’s reaction and next steps in relation to Arthur’s arrest and beyond. Kelly’s reply included the team’s official statement condemning Arthur’s actions (pictured).

When asked about how he is cultivating a team culture that actively combats hate, Kelly noted that “we are very clear with our student-athletes, coaches, and recruits about our values and the potential we have to positively affect the pursuit of the college community’s values. As a team, we engage in conversations and trainings pertaining to issues of race and identity.”

As a part of these conversations and trainings, Kelly mentioned that, “…as a team we viewed a documentary titled ‘The Medicine Game’ which provides context for the origin of the sport of lacrosse and how it was conceived as an instrumental part of Native American culture to keep sickness from the tribe.  Also, it follows the struggles of a couple of brothers from the Onondaga Nation who dream to play collegiate lacrosse. We tried to view this video from the following perspective – The white man took Native American lands and now they have taken their ‘Medicine Game’ and made it their own.” Kelly mentioned several related discussion questions asking team members to empathize with the brothers in the documentary, while also asking student-athletes to consider if they themselves “honor the game in the same way these brothers honor the game? This is a discussion that is ongoing and will continue throughout the spring.”

Kelly also pointed to “recent, deliberate recruiting efforts” that are “actively committed to encouraging prospective student-athletes of color to join our program. We now have a significantly more diverse roster than was the case three to four years ago. We’re very proud or [sic] our successes to that end and believe that our team now has greater opportunities to learn from each other’s differences.” He concluded by saying, “[a]s a program, we ask that a player RISE UP each day to meet their daily challenges to make themselves better individuals in the classroom, in the community, and as teammates. Like all of us, we have much to learn, but we are proud of the progress we have made as a program and as individuals.”

As Heffer pointed out toward the end of his December 6th interview with The Quindecim, “…this is not the end, this is just a reminder that we need to continue to address racism and racist acts and now we know that we can do this together, as a community.”

The Quindecim will continue reporting both on the ongoing judicial processes related to Fynn Arthur’s arrest as well as the ways in which the Goucher community continues to address racism in the long term.

なぜ日本語は難しいと言われるのか。

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英語話者にとって、中国語、ロシア語、アラビア語は難しい言語だとよく言 われるのではないでしょうか。日本語もそれらに並んで難しいとよく言われま す。今回は、なぜ日本語が、非日本語話者、英語話者にとって難しいとされるのかについて述べようと思います。

では、英語と日本語の大きな違いとは何でしょうか。ここで3つの大きな違 いを紹介しようと思います。

その一、3種類の文字(ひらがな、カタカナ、漢字)を使う。英語ではアル ファベットという一種類の文字で構成されているのに対し、日本語にはひらが な、カタカナ、漢字という3種類の文字があります。例えば、「りんご」とい う単語書き表すとき、英語では“apple”としか書き表せないですが、日本語 で 「りんご」、「リンゴ」、「林檎」の3種類で書き表すことができ、すべ て意味は同じになります。文字の種類が2種類以上あるという概念は外国人に はなく、それらをどのように使い分けるのかが外国人にとって難しいようです。また、日本語の文字の種類が英語と比べ多いのも難しく感じる理由の一つで す。ひらがな、カタカナはそれぞれ50種類あり、漢字については、日本の学 生は小学校を卒業するまでに1006種類の漢字を学びます。

その二、1つの漢字に2つ以上読み方があることがある。英語において、発 音の種類はいくつかあるが、“A”という文字は「エー」であり、他の呼ばれ 方はありません。一方、多くの日本語の漢字は2つ以上の読み方があります。例えば、「日」という漢字。一般的に使われる読み方として、「ニチ」、「ジ ツ」、「ひ」、「か」等があります。つまりこの「日」という漢字一字には少 なくとも4種類の読み方があることになります。「3月1日は日曜日で祝日、晴れの日でした。」この文章に5つの「日」という漢字が使われていますが、どれも読み方が異なります。中国語でも漢字は使われますが、このように1つ の漢字が複数の読み方をするのは日本語の漢字のみです。したがって、漢字の 数は中国語の方が多いですが、日本語の漢字は読み方がややこしいという理由 で中国語話者からも日本語は難しいと言われることがあります。

その三、使われる言葉が、地域、年齢・性別、場合によって大きく変わる。地域による言葉の違いについて、日本語には方言があります。これはイギリス 英語とアメリカ英語の違いに似ているところがあるかもしれないですが、単語 レベルの違いだけでなく文法、イントネーション、言い方までも違ってきます。したがって一般的に外国人が習う日本語は標準語といわれ、日常的に使われ る日本語と違うかもしれません。年齢・性別による言葉の違いについて、人称 代名詞が大きく異なることがあります。英語の一人称単数の主格の人称代名詞 は“I”しかないですが、日本語には「私」、「僕」、「あたし」、「俺」、「わし」、「わい」等、何種類も存在します。一人称だけでなく、二人称 でも「あなた」、「お前」、「君」等、複数あります。これも英語に無い概念 の1つです。場合による言葉の違いについて、日本語には敬語があります。敬 語は年上の人と話すときや、公的な場面で用いられます。敬語を用いると主に 動詞とその活用が日常的な言い方と異なります。日本において敬語は重要な文 化であり、正しい敬語を使わないと相手に失礼な態度をとってしまうことにな ることがあります。態度や行動の他に、言語のレベルで相手に敬意を表すこと ができるのは日本語の特徴のように思います。

これらの他にも日本語と英語の違いは数多く存在します。英語と日本語にこ れらの違いがある理由の1つは、それぞれの言語の起源が異なるからです。英 語の起源はインド・ヨーロッパ祖語であり、例えば、英語と起源が同じである スペイン語は文法や単語において英語と似ている点が数多く存在します。一方 、日本語の起源はインド・ヨーロッパ祖語でないため異なる点が数多く存在し ます。

非日本語話者にとって日本語は母国語とかけ離れていると思うかもしれませ ん。今回は日本語と英語の違いについて取り上げてみましたが、自分の母国語 と日本語の共通点を見つけてみるのも面白いかもしれません。韓国語と日本語。中国語と日本語。スペイン語と日本語。醤油をつけてお寿司を箸で食べるつ いでに日本語に興味をもってみるのはいかがでしょうか?

BY YUYA KAWAKAMI

Why Is Japanese Difficult?

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It is often said that it’s hard for English speakers to master tonal and character-based languages like Chinese, Russian, Arabic, etc. Japanese is one of those languages. In this article, I’m going to discuss why Japanese is difficult for non-Japanese speakers, especially English speakers, to master.

Then, what are the huge differences between English and Japanese? I’m going to introduce three huge differences below.

First, there are three kinds of alphabets in Japanese, which are called “hiragana”, “katakana”, and “kanji”. In English, there is only one type of alphabet— the Latin alphabet. For example, there is only one way to describe the fruit, “apple” while we can describe an apple in three different ways in Japanese. If you use hiragana, “apple” is “りんご”. If you use katakana, “apple” is “リンゴ”. If you use kanji, “apple” is “林檎”. All of them have the same meaning. English speakers don’t have the concept of using more than one kind of alphabet, so it is difficult for them to distinguish the Japanese alphabets. In addition, since there are many more characters in Japanese than there are letters in English, Japanese is difficult for English speakers. There are 50 kinds of hiragana and 50 kinds of katakana. Students are supposed to learn 1,006 kinds of kanji before they graduate from elementary school in Japan.

Second, many kanji characters can be referred to more than one way. In English, the letter “A” is referred to as “A” and there is no other way to refer to it. On the other hand, there is more than one way of referring to each kanji character. For example, the character “日” has at least four ways of being referred to: “nichi”, “jitsu”, “hi”, and “ka”. Here is an example sentence: 3月1日は日曜日で祝日、晴れの日でした。In this sentence, there are five “日” characters but they are all called differently. How they are called depends on the context. Kanji also exists in written Chinese. However, each spoken Chinese dialect refers to each kanji character in only one way within that specific dialect. Thus, Japanese is sometimes regarded as difficult for Chinese speakers just as it is for English speakers.

Third, the way Japanese is spoken can change depending on area, generation/gender, and situation. Speaking on the differences according to area, there are many kinds of dialect in Japan. The difference may be similar to that of British English and American English. However, the difference is not only in the choice of words but also in the grammar, intonation, and expression. Therefore, Japanese spoken by non-Japanese speakers is sometimes different from daily Japanese because non-Japanese speakers’ Japanese tends to be the standard Japanese. Speaking on the differences in the way of speaking according to generation/gender, there are many kinds of personal pronouns in Japanese. In English, the first person pronoun is “I”. In Japanese, “watashi” (for everyone and formal), “boku” (for men), “atashi” (for girl), “ore” (for men and casual), “washi” (for elderly people and casual), and “wai” (for everyone and casual but not popular) are all first person pronouns. Just as in the first person, there are many personal pronouns for the second person perspective, such as “anata” (for everyone), “omae” (for everyone and casual), “kimi” (for everyone) and so on. This is also one of the concepts that non-Japanese speakers don’t have. Speaking on the differences because of the situation, there is an honorific word called “Kego” in Japanese. “Kego” is used when people talked with older people or when people speak in a public stage. When it comes to using “Kego”, verb and conjugation are changed. “Kego” is one of the most important aspects of Japanese culture. If you don’t use “Kego” correctly, your behavior sometimes seems rude. But I believe expressing respect at the linguistic level instead of with attitude is one of the beautiful features of Japanese.

In addition to these differences, there are other differences between Japanese and English. One of the reasons why there are so many differences is because the origin of each language is different. Though the origin of English is different from the origin of Japanese, the origin of Spanish is the same as the origin of English. That’s why there are some similarities between English and Spanish such as in grammar or with words.

For non-Japanese speakers, Japanese may be extraordinarily different from their native language. However, it may be interesting for them to find similarities between Japanese and their native language. What are similarities between English and Japanese? How about between Korean and Japanese? Between Chinese and Japanese? Between Spanish and Japanese? Do you get curious about Japanese when you eat sushi with soy sauce using chopsticks?

BY YUYA KAWAKAMI

Halloween (1978) vs Halloween (2018)

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Picture Source: www.frightday.com

Horror is a genre full of killers, but the real killer is familiarity. Over the past thirty years, we’ve seen Michael Myers, the terror at the center of the Halloween franchise, unsheathe his knife and kill in ten movies. Ten times he’s come back from the dead, ten times he’s killed the horniest of teenagers, and ten times he’s been defeated in a slightly more extreme way than the last…only to come back and start the cycle all over again.

But this year was different. David Gordon Green, the director of the new version, went on record saying that he was ignoring every Halloween sequel after the first one; essentially, he was making a direct sequel to the movie from thirty years ago, thus unburdening himself from the overly convoluted mythology the franchise had accumulated over the course of ten movies (two of which are technically a reboot). The star of the first one was back, as was the original director to craft a whole new score. The stars were aligned to make something great.

I should probably get into the original. Fifteen years before the film begins proper, we see an eight year old boy pick up a knife and, for no apparent reason, kill his older sister. Cut to the present day, and the boy (Michael Myers, who I should mention shares no apparent relation to the Shrek actor) manages to escape from the mental institution he’s been kept in, seemingly intent on heading back to his hometown to terrorize the residents, including teenager Laurie Strode (Jamie Lee Curtis) and her friends. It’s up to Myers’ psychiatrist, Dr. Sam Loomis (Donald Pleasence) to stop him before he kills anyone again. Loomis had spent the past fifteen years observing Myers, and has come to the conclusion that Michael Myers is pure evil.

While watching the original again, I found myself agreeing with Loomis. Michael Myers managed to be scary in a way he never really was again, and the comparison I kept coming back to was Jaws; like the shark, Myers is barely in the movie. His first on screen kill after the opening scene isn’t until almost an hour into the movie; before that, he kills a man off-screen to steal his clothes. But he’s always there, even when he isn’t, and this is largely down to the film’s greatest asset: the cinematography. In his review of the movie for The New Yorker, film critic Pauline Kael wrote, “The film is largely just a matter of the camera tracking subjectively from the mad killer’s point of view, leading you to expect something awful to happen. But the camera also tracks subjectively when he isn’t around at all; in fact, there’s so much subjective tracking you begin to think everybody in the movie has his own camera.” She obviously meant this as a knock against the movie, but it somehow winds up being what gives the film its awesome power. By never letting up on the slow, creeping build of the camera, director John Carpenter very deliberately gives off the impression that Michael Myers could be anywhere, and strike at anytime, doing wonders for Dr. Loomis’ claim that he is “pure evil”. When he is on screen, he’s usually in the background, slightly out of focus, or in close up, with his head cut off by the frame. We don’t get a good look at him until over an hour into the thing, and by then, it’s far too late for most of our protagonists, most of whom we’ve really come to like by then.

These two things – slow-burn dread and likable characters – were the first to go by the time the sequels rolled around, followed quickly by Michael Myers’ mystique and practicality. In the first one, he stabs and strangles people, and we don’t see all that much blood. In the next several movies, he bashes heads with hammers, electrocutes bodies with Christmas lights, impaled with extreme prejudice, and, in one memorable instance, drowns/burns someone in a hydrotherapy tub. Throughout all of this, he gets killed and resurrected so much, that he essentially becomes immortal, a far cry away from the power the first film was smart enough to only suggest.

So when David Gordon Green said he was going to get back to basics, I was understandably excited. I sat down to watch it, popcorn and soda in hand…

…and thought it was okay.

It’s probably the best of the sequels, honestly. Much as I have a soft spot for Halloween II, it does jettison most of the likable characters, including Jamie Lee Curtis, who spends about 80% of the movie confined to a hospital bed, dreaming in flashbacks. The 2018 Halloween, at least, does right by her, putting her front and center again to great effect. It’s easy to say that Jamie Lee Curtis is the best thing in the movie and leave it at that, but she is really, really good. For whatever problems the movie has otherwise, you feel Laurie Strode’s pain in a way you never did before, not even in II or H20. Laurie centers the movie in her character, and gives it a weight the original didn’t have.

Which is good, because everything around Laurie is a tad lackluster. One of the key elements of the original Halloween was how direct it was, and how well the slow burn was built to a fever pitch. While there are moments of excellent suspense in the movie (I’m thinking especially of the long-take in the middle, that has Michael move from house to house, picking off random people), the overall pacing itself is way too scattershot. Scenes begin and end at the wrong place, often cutting off when things are about to get interesting. And while Laurie and her immediate family are reasonably well-defined, the rest of the characters (or, more accurately, cannon fodder) suffer from only one dimension. And where the original got away with having little brutality, the new is chock full of gore. It has one character better served than in the original, but other than that, it falls short.

BY SAM STASHOWER

Top Ten Horror Movies

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Image from: https://www.fool.com.au/
  1. Green Room – a punk rock band barricades themselves in a green room after witnessing a crime. A deliberate throwback to older, grungier movies, Green Room manages to rise above being a pure gorefest by virtue of moments filled with frighteningly unpredictable violence. Green Room is one of the finest examples of a non-supernatural horror villain.
  2. The Shining – one of those movies that’s so classic, everyone probably feels like they’ve seen it even if they haven’t. “Here’s Johnny”, “REDRUM”, and “Come play with us, Danny” are moments I’d seen referenced and parodied long before I finally sat down to watch the thing. But even so, this film works beyond its famous moments. There’s a creeping, eerie power to how this film is shot, making The Overlook Hotel with its empty hallways and endless corridors feel alive. The best compliment I can give is that at close to three hours, the movie doesn’t feel long at all.
  3. The Conjuring – a throwback horror film that nonetheless manages to be pretty spooky in its own right, The Conjuring follows a husband and wife paranormal hunting team trying to save a family who moved into the wrong house. Based (very loosely) on the real-life exploits of paranormal investigators Ed and Lorraine Warren, any issues with telling the story of real people with this many liberties is quickly swept away by just how brilliantly spooky the whole film is. Director James Wan manages to make the tired old “haunted house story” feel fresh and new with likable characters, good practical effects (what’s done with a mirror in one scene is nerve-jangling), and some truly inspired cinematography.
  4. The Ring – what I like to call “fun horror”, The Ring isn’t grisly, violent, or uncomfortable; hell, it’s not even really scary until the final twenty or so minutes. In the place of deep, bone-rattling horror is a terrific sense of spooky joy that comes from seeing a capable, smart protagonist put together an intriguing mystery. Naomi Watts plays a journalist looking into the deaths of several teenagers, all of whom have seen a cursed videotape (it’s kind of a period piece). The curse dictates that whoever sees the tape will die in seven days, meaning it’s a race against the clock for Watts to save herself – and her son. While the film probably isn’t as good as the Japanese movie it’s remaking, The Ring nevertheless gets a lot of mileage out of deadly silence and odd imagery.
  5. The Babadook – one of the most popular recent horror films, The Babadook gains an impressive amount of power from its minimalist quality; you rarely see the monster, and a large portion of the action is confined to inside a house. Jennifer Kent makes her feature film directorial debut here, adapting her short film Monster (all ten minutes of which are on YouTube) into a powerful and oddly uplifting look at the power of a single mother in a seemingly unwinnable situation.
  6. The Invitation – a simple but effective premise that leads to simple but effective scares, The Invitation stars a couple going to a dinner party hosted by the man’s ex-wife and her new husband. Things start off weird and get progressively weirder, but the film is commendable in how long it manages to keep up in the air whether or not the main character is really in danger, or if he’s having some kind of stress-induced psychotic break. A slow burn for sure, the film both serves as a completely fair mystery (in that the clues are peppered through early and often) and a unique character study.
  7. Halloween – the one, in many ways, that started it all. Halloween, originally titled The Babysitter Murders, opens with a six-year-old boy murdering his older sister for seemingly no reason. Fifteen years later, he manages to escape incarceration, returning to his old hometown to finish what he started. The first thing to understand about Halloween is that I just made it sound a whole lot more violent than it actually is. You can count the number of murders on one hand (one of whom is off-screened to death), and none of them are particularly overblown or even all that gory. No, what really makes Halloween work, even after so many imitators, is the atmosphere; that oppressive dread that comes with the assurance that The Boogeyman is out there and he’s coming for you.
  8. Alien – the tagline “in space, no one can hear you scream” has become something of a legend itself, in no small part because it perfectly sums up the isolating terror of Alien. Set in the year 2122, a crew lands on a planet in response to a distress call only to find evidence of a much bigger, more advanced ship having been completely wiped out by…something. The best thing going for Alien is the claustrophobia; you really feel like you’re trapped on this tiny vessel hurling through the cold depth of space, being hunted by a parasitic thing you barely understand. The performances are iconic, the scares are unforgettable, and the look of the monster is a sight to behold. Even if science fiction isn’t your thing, it’s worth checking out.
  9. Hereditary – the most recent “scariest movie ever” to come to theaters, Hereditary, more so than any other film on this list, is not for the faint of heart. Describing the plot would do the movie a disservice, so suffice to say that the family dynamics at the center of this movie are twisted enough to not even need the ghosts, demons, and headless old people the film trots out as it goes along. Strictly for those with nerves of steel.
  10. The Gift – diabolically turning our fear of misreading situations against us, Joel Edgerton does triple duty to magnificent effect as director, writer, and actor. A married couple played by Jason Bateman and Rebecca Hall move into a new house, where they run across Bateman’s old friend from school (Edgerton). While Edgerton’s Gordo seems harmless enough, there’s something…off about him. Is he a well-meaning but socially awkward, poorly adjusted guy, or is he something else? And why is Bateman so resistant to seeing him again? The cinematography emphasizes wide, open spaces and backgrounds where people can easily hide, and on more than one occasion, do, turning this movie into something of a demented Where’s Waldo? at times. The script is also brilliant, with constantly shifting character motivations and believable dialogue grounding this story.

BY SAM STASHOWER

5 Places to See in Norwich

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Photo Credit: TripAdvisor

Developing a bond to the place where you are studying is part of the study abroad experience. This particularly happens in a semester long program, where you build your life for about 5 months around the people near you and the places closest to you. As two students who studied at the University of East Anglia, both of us developed a love for the city of Norwich, which is located just outside the university. This old medieval town has a rich literary history with a modern edge. If you ever find yourself in or near Norwich (which is only a two hour train ride from London), be sure to check these places out!

Shiki

A traditional Japanese restaurant off of Tombland, Shiki has some of the best food in all of Norwich. Although it can be a bit expensive depending on what you order (about £5 for 6 pieces of sushi, £22 for a bento box), the quality of the food and the service makes the prices worth it. If you’re in Norwich and looking for a quality sit-down meal or a break from the typical pub food, check out Shiki and try their Tonkatsu Curry (curry being an “English” addition), or grab an onigiri to go.

 

Tombland Books

Off of a lane of the same name, Tombland Books was my go-to used bookstore in Norwich. This bookshop, comprised of two floors, has the classic feel of a used bookstore — extra lines of books because there isn’t shelf space, that mix of wood and old book smell, and also some incredibly beautiful and slightly unique books. There are plenty of bookshops in Norwich that deserve a visit, such as City Bookshop, The Book Hive, and Dormouse, but the lack of claustrophobic spaces, in addition to its extensive collection of beautiful, well-kept, used books makes it a bookshop not to miss.

St. Gregory’s Antiques and Collectibles

One of many old stone churches, St. Gregory’s has long since left the religious life. Instead, it has been transformed into an antiques and collectables market. You never know exactly what you’ll find, from old clothes to knitting needles, from maps to music records and quirky tins. Just remember to bring cash with you; they don’t accept any cards.

Oh So Sweet

Oh So Sweet is essentially a combination of the candy shop from Willy Wonka with British sweets. Walls lined from floor to ceiling with colorful hues and confections of every imaginable type, from spicy to chewy and chocolates galore — every sweet tooth in Norwich would be remiss to overlook this sweet treat of a shop

Loft and Flaunt

Both Loft and Flaunt were the places to be when attending UEA. With their continuous seductive energy and cheap, yet surprisingly good alcohol (which is legal to consume while abroad), they were the best places to go whenever students needed to let out a little steam. Music blaring, hormones raging, and admission cheap (Flaunt: free admission; Loft: three pounds per person or about six dollars), it was easy to see why everyone loved going there, even on school nights!

 

By BENJI GUTSIN AND KATIE MONTHIE 

Charm City: Documentary Review

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Photo Credit: IMDb.com

The ‘C’ in Charm flickers. The documentary title, Charm City, switches between Charm and Harm City, and then it begins. Scenes of the streets of Baltimore cascade across the screen: men smoking on a front stoop, a young girl peeking out her window, a police cars lights flashing in a dark alley. This is Baltimore.

Baltimore is known, throughout the country, as a crime ridden city. Its streets filled with needles, drugs, and murders.

It’s not until you get to know the city that you realize how much more this city really has to offer. Baltimore is filled with beautiful, old buildings, museums, waterfronts, universities, and much more that I have yet to explore. The rumors, however, do still ring true. Much of the city is still filled with violence, and inequality.

The documentary follows the efforts, of many different Baltimore natives, to lower the crime rate, keep their communities and families safe, and prove to everyone that their city is much more than just a murder rate reaching the top of the charts. The audience gets insight on one community member, and his entourages efforts in their neighborhood. Mr. C runs the Rose Street Community Center. He is the communities guide, wisdom filled master, and man with all the answers. He is respected and has many young men and women that look up to him, and see him as their leader. Through him, and Rose Street, there are several programs being run: a street cleanup crew, conflict mediation crew, and a youth group to keep the children active, and off the streets.

We then follow a police captain and her team, through a normal 12 hour day tolling the city for crime. However, we get a glimpse of the good as well, when we are shown scenes of one officer joining in on a game of cards, or stopping by to listen to a marching band practice. Those were the moments of hope, of true connection the producer gets through to the audience so seamlessly.

The last person showcased, who has made huge efforts to lower the crime rate, is Baltimore’s youngest councilman Brandon Scott. He initiates the discussion of making the city’s efforts interdisciplinary, so that the sole responsibility does not lay on the police forces shoulders, but instead is spread across public safety, and public health and even the school system.

Everyone’s efforts have already made a difference in decreasing the violence rate. The natives were so open, and willing to share the occurrences of their daily lives over a span of three years with the filming crew, and the filming crew so respectful about not intruding or intervening into their daily lives. This documentary will definitely make you want to get out there and make a difference, so, let’s do it!

BY AMELIA MEIER

Epistle for the Man at Mary Fisher

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Photo credit: events.goucher.edu

you say “have a good lunch”
I say “thank you” with my plates full of food-

 

your hand, however

empty,

waving to me as you round the corner to wash a dirty dish or two and restack the supply.

 

you sprinkle “what’s going on with you”

I question “how many more hours you have today?”

 

You stroll

And I pace

 

you mean to say “that food looks good,”

 

I mean to say “i wish you could eat with me”


You wave and your eyes linger but we both know its an embrace

 

you mean “i missed you”

 

I mean to say “where can i meet you after your shift”

 

you hustle and I rest,

 

sipping my ginger ale by the fountain,

my Vision becomes hazy:

bodies running past and through, by me and away from me, with their plates of food, the

workers in their white and blue,

All become a blur of vertical lines,

daydreaming;

in Mary Fisher of the day a shift manager or a table of friends doesn’t need our return.

BY ANONYMOUS

The Fight Against Mining in Ecuador: Educate Yourself!

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One of the waterfalls of Las Gemelas has been visibly discolored orange and brown since the summer of 2016. Photo Credit: Kate Longabaugh.

In July 2018, I traveled to Junín in the region of Intag, Ecuador to assist environmental studies professor Emily Billo in her research on resistance to resource extraction. As we walked through Junín’s Community Eco-Reserve to test the water for contamination, I could see the negative effects of the exploratory mining activities on the landscape. There was visible deforestation and erosion from mule trains carrying drilling equipment in and out of the reserve. My companions told me how they used to be able to hear many different kinds of birds; now I could only hear the loud hum of generators and drilling in the distance. Then there was the water which was visibly discolored orange or brown in some places.

Junín is well known for its highly biodiverse cloud forests. However, these could soon be destroyed by the creation of an open pit copper mine. Negative effects are already emerging in the water from mining exploration in the area, including increased conductivity, acidity, and toxic elements. The environment is also affected by deforestation, landslides, and loss of biodiversity. In addition to these effects, Junín and other communities that subsist on the land, raising cattle, practicing fair-trade coffee production, and eco-tourism would be displaced.

The small campesino community of Junín has been fighting mining for over 20 years.

In the 1990s, Japanese company Bishi Metals began exploration for copper. Community organizers, supported by the national environmental organization Acción Ecológica and the local environmental organization Defensa y Conservación Ecológica de Intag (DECOIN), mounted a resistance and ejected Bishi Metals. However, in the mid-2000s, Canadian company Ascendent Copper arrived. Confronted with community resistance that even challenged Ascendant’s hired paramilitary squad, the company left the region by the end of 2008. The documentary Under Rich Earth (2008) covers this incident and is available on YouTube.

The situation in Intag worsened after the 2008 election of president Rafael Correa, who promoted ‘post-neoliberal’ policies. Correa criticized exploitation by multinational corporations and introduced a new model of extraction led by the Ecuadorian state. Yet state control over extraction has not been better for all Ecuadorians as the state has criminalized anyone who protests extraction. The government also closed some environmental organizations and made it hard for organizations to get international funding.

Under Correa, the state-owned mining company of ENAMI partnered with CODLECO of Chile to explore minerals in Intag. In 2014, they forced entry with national police into Junín and their Community Ecological Reserve. While the community has rights to the surface of the land, the state has rights to the subsurface minerals. ENAMI kept a police presence in the area and even jailed the former president of Junín, Javier Ramírez, for 10 months under dubious charges. This presence led to a breakdown of community and people kept more to themselves. Divisions among families and friends had already existed for a while but worsened during this period of surveillance.

During our time in Junín, Professor Billo and I found that there were some changes in the social environment. ENAMI and CODELCO have solidified their presence over the past four years, employing local residents directly and indirectly. Other locals held to their values and made their living through more sustainable options of eco-tourism and fair-trade coffee. Miners and anti-miners were interacting again after previously ignoring each other, but the controversial topic of mining was off limits. However, life had already been permanently impacted by the past police presence and anti-mining residents in Junín still keep to themselves and their houses as Junín has become a company town for ENAMI.

In talking to community organizers, we found that the fight continues and protest still exists, but it’s not as strong or organized as it used to be. As one organizer shared, rather than being a step ahead of the company like before, they are a step behind. They don’t have the same financial resources as before and instead pay out of pocket to go to meetings and protests. Many community organizers are women, presenting a double or triple burden for them as they balance employment, household chores, and caring for children together with resistance efforts.

Yet there is still hope. Two other major mining projects in southern Ecuador have been temporarily halted for concerns related to water contamination and other environmental and social impacts. Although the current president of Ecuador, Lenín Moreno, is from the same political party as Correa, Moreno has not taken a strong stance on state mining and these recent halts suggest a possibility to slow or stop extractivism. In December, ENAMI’s Environmental Impact Statement will expire, concluding a 4-year exploration phase, but the company has petitioned the government to extend this phase. If not granted, the company would enter a 4-year analysis phase which would mean the company would employ fewer local residents. Additionally, in February there will be local elections, and organizers hope to see the success of some anti-mining candidates giving the resistance a stronger voice in the government.

Community organizers asked us to spread the word of their situation and fight so that more people know what is happening in Intag. Please share what you have just learned with others! If you’re looking for more information or ways to help, DECOIN continues to engage in anti-mining resistance efforts with residents of the region.

There will be an ICA to Ecuador in Summer 2019, which will spend a few days in Junín and the cloud forest region of Intag to learn more about organized resistance to mining and the sustainable alternatives some community members pursue. If you’re interested in learning more, the Info Session for Ecuador ICA is on Friday, October 19th, 3-4 p.m. in JR 251.

BY KATE LONGABAUGH

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